Viltrox EF-GFX Pro Adapter – Mount Converter
9,999 EGP

- Upgrade your Fujifilm GFX system with the Viltrox EF-GFX Pro Adapter! Seamlessly attach Canon EF lenses to your Fujifilm GFX 50S/50R camera while maintaining autofocus and aperture control. Perfect for photographers seeking expanded lens compatibility.
Available on backorder
The Viltrox EF-GFX Pro Adapter bridges the gap between Canon EF lenses and Fujifilm GFX cameras, offering exceptional versatility. With this adapter, you can unlock the full potential of your existing Canon glass on Fuji’s medium-format system.
Key Features:
✔ Autofocus & Aperture Control – Retain full electronic communication between lens and camera.
✔ Durable Metal Build – Precision-engineered for a secure, wobble-free fit.
✔ Wide Compatibility – Works with GFX 50S, 50R, and select EF lenses (check compatibility list).
✔ Compact & Lightweight – Adds minimal bulk to your setup.
Transitioning from DSLR to mirrorless? This adapter ensures a smooth workflow. The Viltrox EF-GFX Pro supports exposure metering, EXIF data transfer, and image stabilization (for lenses with IS). Whether you’re a portrait, landscape, or studio shooter, this adapter maximizes creativity without investing in new lenses.
For best results, use with fast-aperture primes like the Canon EF 85mm f/1.2 or zooms like the 24-70mm f/2.8. Note: Continuous AF performance varies by lens.
Why Choose Viltrox?
Viltrox is renowned for affordable, high-performance adapters trusted by professionals worldwide. Order today and expand your Fujifilm GFX system’s capabilities!
| 5 |
|
0 |
| 4 |
|
0 |
| 3 |
|
0 |
| 2 |
|
0 |
| 1 |
|
0 |
Related Products
- Capture stunning wide-angle shots with the Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens. Perfect for landscapes, architecture, and interiors, this lightweight lens features Image Stabilization and smooth STM autofocus for sharp, vibrant photos.
Out of stock
- L-series ultra-wide zoom lens with an impressive 11mm starting focal length
- Focal Length & Maximum Aperture: 11-24mm f/4, Closest Focusing Distance : 11 in. / 0.28m
- New optical design and the use of one Super UD element and one UD lens element
- Subwavelength Coating (SWC) and Air Sphere Coating (ASC), Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms
- Full-time manual focus allows manual focus adjustment while in AF Mode
Out of stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Two Ultra-Low Dispersion Elements
- Air-Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
Out of stock
Benefits
- Affordable telephoto zoom lens
- USM autofocus motor
- Super Spectra coatings
- Lightweight design
- 58mm filter size
- 1.5m closest focusing distance
Out of stock
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Four Aspherical Elements
- Air Sphere and Fluorine Coatings
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Weather-Sealed Construction
- Rounded 10-Blade Diaphragm
Out of stock
- Lightweight, fast, and affordable—the Sony FE 50mm f/1.8 delivers beautiful bokeh and crisp detail for portraits, everyday shots, and low-light moments.
Out of stock
For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
Out of stock
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Fluorite Element & Five UD Elements
- Air Sphere Coating
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Internal Focus, Focus Range Limiter
- Weather-Sealed Design, Fluorine Coating
- Detachable, Rotatable Tripod Collar
- Rounded 8-Blade Diaphragm
Out of stock
Out of stock
- Focal Length & Maximum Aperture: 35mm f/1.4
- Subwavelength Coating (SWC) helps significantly reduce lens ghosting and flare.Lens Construction: 14 elements in 11 groups
- Diagonal Angle of View: 63°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 0.92 ft./0.28m. Increased maximum magnification (0.21x) help expand the range of expression, especially when capturing close-up subjects
- Filter Size: 2.8 in./72mm diameter
- Max. Diameter x Length, Weight: 3.2 x 4.2 in., approx. 26.8 oz. / 80.4 x 105.5mm, approx. 760g
Out of stock
Out of stock
- Benq
- BESTON
- BOYA
- CAME-TV
- Camelion
- Canon
- Comica
- DJI
- Easy Cover
- Eirmai
- Elfakharany Digital
- Energizer
- Falcam
- FANCIER
- FB
- FeiyuTech
- FOG
- FujiFilm
- General
- Genpro
- Godox
- Gopro
- Hollyland
- Huawei
- Insta360
- IQ&T
- ITECH
- Jackar
- Jmary
- Joby
- Joop
- K&F
- LENSGO
- Lexar
- Lilliput
- Mamen
- Manfrotto
- Marantz
- MCOPLUS
- Meike
- Nanlite
- Neewer
- Nest
- Nikon
- Nitecore
- Olympus
- Panasonic
- Penflex
- Pisen
- PROEL
- QC
- RØDE
- Samyang
- SanDisk
- Saramonic
- Sennheiser
- Sigma
- SmallRig
- Sony
- Tamron
- TELESIN
- Tolifo
- Triopo
- Ulanzi
- Varta
- Viltrox
- Visico
- Weifeng
- Yongnuo
- Zhiyun
- Zoom







































Reviews
There are no reviews yet.