FUJIFILM Lens XF50-140mm F2.8 R LM OIS WR
79,999 EGP Original price was: 79,999 EGP.69,999 EGPCurrent price is: 69,999 EGP.
The XF 50-140mm F2.8 R LM OIS WR is a versatile telephoto zoom lens designed for FUJIFILM X-mount mirrorless cameras, offering a 76-213mm equivalent focal length range.
Available on backorder
FUJIFILM XF 50-140mm F2.8 R LM OIS WR Lens
Overview
- The XF 50-140mm F2.8 R LM OIS WR is a versatile telephoto zoom lens designed for FUJIFILM X-mount mirrorless cameras, offering a 76-213mm equivalent focal length range.
Optical Features
- Design:
- Comprises 23 elements in 16 groups, including five extra-low dispersion (ED) elements and one Super ED element to minimize chromatic aberrations and color fringing.
- Coatings:
- Nano-GI (Gradient Index) coating and HT-EBC (High Transmittance Electron Beam Coating) reduce surface reflections, ghosting, and flare for enhanced image clarity.
Performance
- Maximum Aperture:
- Constant f/2.8 aperture ensures consistent performance across the zoom range, excelling in low-light conditions.
- Image Stabilization:
- Features an advanced optical image stabilization system to counteract camera shake, allowing for sharper images at longer focal lengths or slower shutter speeds.
Autofocus and Handling
- AF System:
- Equipped with a Triple Linear Motor for smooth, near-silent autofocus, ideal for video and noise-sensitive environments.
- Weather Resistance:
- Contains 20 weather seals for dust and moisture resistance, enabling use in challenging conditions down to 14°F.
- Design Benefits:
- Inner focusing and inner zoom design maintain lens length during operation, enhancing handling and preventing dust ingress.
Additional Features
- Tripod Collar:
- Included for stable mounting and shooting with tripods or monopods.
- Bokeh:
- Seven rounded diaphragm blades create pleasing out-of-focus quality for selective focus and shallow depth of field.
- Enhanced Performance:
- Compatible with X-series cameras featuring Lens Modulation Optimizer (LMO) for improved sharpness and consistent illumination throughout the aperture range.
| 5 | 0 | |
| 4 | 0 | |
| 3 | 0 | |
| 2 | 0 | |
| 1 | 0 |
Related Products
Out of stock
- EF-S-Mount Lens/APS-C Format
- 38.4mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- One Aspherical Element
- Super Spectra Coating
- STM Stepping AF Motor
- Rounded 7-Blade Diaphragm
Out of stock
- The Canon RF 35mm F1.8 IS STM Macro Lens is a versatile prime lens for full-frame mirrorless cameras, offering a natural 35mm perspective, fast F1.8 aperture, Hybrid IS, and 0.5x macro capability. Perfect for portraits, low-light photography, and close-up shots.
Out of stock
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Fluorite Element & Five UD Elements
- Air Sphere Coating
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Internal Focus, Focus Range Limiter
- Weather-Sealed Design, Fluorine Coating
- Detachable, Rotatable Tripod Collar
- Rounded 8-Blade Diaphragm
Out of stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Two Ultra-Low Dispersion Elements
- Air-Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
Out of stock
- Focal Length & Maximum Aperture: 50mm f/1.8
- Lens Construction: 6 elements in 5 groups
- Diagonal Angle of View: 46°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 1.15 ft. / 0.35m
- Filter Size: 49mm
- Max. Diameter x Length, Weight: Approx. 2.7 x 1.5 in. / 69.2 x 39.3mm, Approx. 5.6 oz. / 159g
Out of stock
Brand Nikon
Lens Type Standard
Compatible Mountings Nikon FX
Camera Lens Description 50 millimetres
Maximum Focal Length 50 Millimeters
Out of stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Three Ultra-Low Dispersion Elements
- Air Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
Out of stock
For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
Out of stock
Type
Type G AF-S DX lens with built-in CPU and F mount
Focal length
18-140 mm
Maximum aperture
f/3.5-5.6
Minimum aperture
f/22-38
Lens construction
17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element)
Angle of view
76° – 11°30′
Focusing
Nikon Internal Focusing (IF) System with autofocus controlled by Silent Wave Motor and separate focus ring for manual focus
Available on backorder
- Capture stunning wide-angle shots with the Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens. Perfect for landscapes, architecture, and interiors, this lightweight lens features Image Stabilization and smooth STM autofocus for sharp, vibrant photos.
Out of stock
- Benq
- BESTON
- Biwin
- BOYA
- CAME-TV
- Camelion
- Canon
- Comica
- DJI
- Easy Cover
- Eirmai
- Elfakharany Digital
- Energizer
- Escura
- Falcam
- FANCIER
- FB
- FeiyuTech
- FOG
- FujiFilm
- General
- Genpro
- Godox
- Gopro
- Hollyland
- Huawei
- Insta360
- IQ&T
- ITECH
- Jackar
- Jmary
- Joby
- Joop
- K&F Concept
- Kingston
- Kodak
- LENSGO
- Lexar
- Lilliput
- Mamen
- Manfrotto
- Marantz
- MCOPLUS
- Meike
- Nanlite
- Neewer
- Nest
- nicefoto
- Nikon
- Nisi
- Nitecore
- Olympus
- Panasonic
- Penflex
- Pisen
- PROEL
- QC
- RØDE
- Samyang
- SanDisk
- Saramonic
- Sennheiser
- Sigma
- Sjcam
- SmallRig
- Sony
- Tamron
- TELESIN
- Tolifo
- Triopo
- Ulanzi
- Varta
- Viltrox
- Virak
- Visico
- Weifeng
- Yongnuo
- Zhiyun
- Zoom







































Reviews
There are no reviews yet.