Samyang AF 85mm f/1.4 FE II Lens for Sony E
34,500 EGP

- E-Mount Lens/Full-Frame Format
- Autofocus With Manual Override
- 2nd Generation
- Linear STM Motor
- 9-Blade Diaphragm
- 4 HR and 1 ED Element
- Internal Focus Design
- Customizable Focus Hold Button
- Weather Sealed
Available on backorder
Samyang AF 85mm f/1.4 FE II Lens for Sony E
The Samyang AF 85mm f/1.4 FE II is a fast, high-performance portrait lens designed for Sony E-mount full-frame mirrorless cameras. Known for its outstanding image quality, smooth bokeh, and precise autofocus, this lens is a favorite among portrait, fashion, and wedding photographers.
✅ Key Features:
Ideal Portrait Focal Length
The 85mm focal length offers natural perspective and beautiful subject isolation.Bright f/1.4 Aperture
Delivers excellent low-light performance and stunning shallow depth of field for creamy background blur.Improved Autofocus System
Equipped with a fast, accurate, and quiet Linear STM motor—perfect for both stills and video.Advanced Optical Design
Includes high-refractive and extra-low dispersion elements to minimize aberrations and maximize sharpness.Weather-Sealed Construction
Protects against dust, moisture, and light rain, making it a great choice for outdoor shoots.
🔍 Specifications:
Focal Length: 85mm
Maximum Aperture: f/1.4
Mount: Sony E (Full Frame)
Minimum Focus Distance: 0.85m
Autofocus: Yes (Linear STM Motor)
Filter Size: 72mm
Weight: Approx. 509g
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Type
Type G AF-S DX lens with built-in CPU and F mount
Focal length
18-140 mm
Maximum aperture
f/3.5-5.6
Minimum aperture
f/22-38
Lens construction
17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element)
Angle of view
76° – 11°30′
Focusing
Nikon Internal Focusing (IF) System with autofocus controlled by Silent Wave Motor and separate focus ring for manual focus
Available on backorder
For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
Out of stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Two Ultra-Low Dispersion Elements
- Air-Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
Out of stock
The AF-S NIKKOR 35mm F/1.8G ED integrates the precise AF systems of our D-SLR cameras. The lens has Silent Wave Motor technology that works quickly and quietly; Which makes it ideal for shooting video clips. The manual focus ring allows precise adjustments to be made to provide the right position for your shots.
Out of stock
Out of stock
The EF 100mm f/2.8L Macro IS USM Lens from Canon is the L-series version of Canon’s popular 100mm Macro lens. As an L-series lens it offers the utmost in optical construction, including ultra-low dispersion lens elements and moisture and dustproof seal structure on the barrel. Its 100mm focal length is effective for portraiture and other telephoto applications and as a macro lens with 1:1 magnification and a 12″ minimum focus distance, it is ideal for life-size close-up imaging.
1 in stock
Out of stock
Brand Nikon
Lens Type Standard
Compatible Mountings Nikon FX
Camera Lens Description 50 millimetres
Maximum Focal Length 50 Millimeters
Out of stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2 to f/22
- Ultra-Low Dispersion Elements
- Ring-Type Ultrasonic Motor AF System
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
Out of stock
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