Tamron 28-75mm F/2.8 Di III VXD G2 Lens for Sony E
45,000 EGP Original price was: 45,000 EGP.38,999 EGPCurrent price is: 38,999 EGP.

- The Tamron 28-75mm f/2.8 Di III VXD G2 is a versatile standard zoom lens for Sony E-mount mirrorless cameras, delivering superb image quality, fast autofocus, and lightweight handling ideal for travel, events, portraits, and everyday photography.
The Tamron 28-75mm F/2.8 Di III VXD G2 lens for Sony E-mount is a high-performance standard zoom built for creators who demand sharp images in everyday and low-light shooting conditions. Designed for full-frame Sony mirrorless cameras, this lens delivers consistent brightness throughout the zoom range thanks to its constant f/2.8 aperture. Tamron Co., Ltd.
This lens stands out because it:
Offers a flexible 28-75mm zoom range suitable for landscapes, street photography, portraits, and events.
Uses a VXD linear autofocus motor for extremely fast, quiet, and accurate focus tracking — perfect for both stills and video.
Provides improved magnification with a minimum focus distance of 0.18m (7.1″), allowing creative close-up shots.
Maintains excellent optical performance with a refined design of 17 elements in 15 groups, balancing sharpness and contrast. tamron.in
Whether you’re shooting handheld in low light or chasing decisive moments at a wedding, this lens offers reliable performance with modern Sony camera features like fast hybrid AF and Eye AF compatibility. It also includes a connector port for Tamron Lens Utility customization and firmware updates directly through the lens. CameraMix
Built with a durable yet lightweight construction, this lens combines professional-grade capability with everyday handling comfort. Its advanced optics and autofocus technology make it a go-to option for photographers looking for a single, versatile zoom to elevate their work.Tamron Co., Ltd.
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Type
Type G AF-S DX lens with built-in CPU and F mount
Focal length
18-140 mm
Maximum aperture
f/3.5-5.6
Minimum aperture
f/22-38
Lens construction
17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element)
Angle of view
76° – 11°30′
Focusing
Nikon Internal Focusing (IF) System with autofocus controlled by Silent Wave Motor and separate focus ring for manual focus
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- One Super UD Element, One UD Element
- Two Aspherical Elements
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- Dual Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
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The EF 50mm f/1.2L USM Lens from Canon is a fast prime lens featuring a particularly large maximum aperture for effective low-light and shallow depth of field capability. As a standard focal length lens, it is suitable for most any shooting situation and its lens coating and optical construction are optimized to minimize chromatic aberrations, ghosting and flare
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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Benefits
- Affordable telephoto zoom lens
- USM autofocus motor
- Super Spectra coatings
- Lightweight design
- 58mm filter size
- 1.5m closest focusing distance
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.2 to f/16
- One UD Element, One Aspherical Element
- Ring-Type Ultrasonic Motor AF System
- Customizable Control Ring
- Rounded 10-Blade Diaphragm
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Brand Nikon
Lens Type Standard
Compatible Mountings Nikon FX
Camera Lens Description 50 millimetres
Maximum Focal Length 50 Millimeters
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Two Ultra-Low Dispersion Elements
- Air-Sphere and Fluorine Coatings
- Nano USM AF System
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- Customizable Control Ring
- Rounded 9-Blade Diaphragm
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