Sony FE 16-35mm f/2.8 GM II Lens (Sony E)
110,000 EGP Original price was: 110,000 EGP.105,000 EGPCurrent price is: 105,000 EGP.

- Sharper, lighter, and faster—Sony’s second-generation 16–35mm f/2.8 GM II lens offers flagship resolution, edge-to-edge clarity, and professional-grade autofocus.
The Sony FE 16-35mm f/2.8 GM II is Sony’s most advanced ultra-wide-angle zoom for full-frame E-mount cameras. This second-generation G Master lens is 20% lighter than its predecessor while improving sharpness, bokeh, autofocus performance, and resistance to ghosting. It’s a top-tier choice for landscape, architecture, astro, video, and event photographers.
Featuring 5 aspherical elements (including 3 XA), 2 Super ED, and Nano AR Coating II, it controls aberrations and flare like never before. The f/2.8 constant aperture enables low-light flexibility, while four XD Linear Motors ensure fast and silent AF—even in 4K video workflows.
Key Features:
- 🔭 16–35mm G Master full-frame ultra-wide zoom
- 🌌 Constant f/2.8 aperture across entire zoom range
- 🧠 4x XD Linear Motors for quick and precise autofocus
- 🌀 Stunning bokeh with 11-blade circular aperture
- 🔧 Nano AR II coating + fluorine front element
- 🧳 Only 547g – ultra-compact & travel-ready
- 📹 Optimized for video: minimized breathing, linear response MF
- 💧 Weather-sealed construction with customizable focus hold buttons
| Focal Length | 16 to 35mm |
|---|---|
| Maximum Aperture | f/2.8 |
| Lens Mount | Sony E |
| Lens Format Coverage | Full-Frame |
| Focus Type | Autofocus |
| Image Stabilization | No |
| Filter Size | 82 mm (Front) |
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The EF 100mm f/2.8L Macro IS USM Lens from Canon is the L-series version of Canon’s popular 100mm Macro lens. As an L-series lens it offers the utmost in optical construction, including ultra-low dispersion lens elements and moisture and dustproof seal structure on the barrel. Its 100mm focal length is effective for portraiture and other telephoto applications and as a macro lens with 1:1 magnification and a 12″ minimum focus distance, it is ideal for life-size close-up imaging.
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2 to f/22
- Ultra-Low Dispersion Elements
- Ring-Type Ultrasonic Motor AF System
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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- Focal Length & Maximum Aperture: 35mm f/1.4
- Subwavelength Coating (SWC) helps significantly reduce lens ghosting and flare.Lens Construction: 14 elements in 11 groups
- Diagonal Angle of View: 63°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 0.92 ft./0.28m. Increased maximum magnification (0.21x) help expand the range of expression, especially when capturing close-up subjects
- Filter Size: 2.8 in./72mm diameter
- Max. Diameter x Length, Weight: 3.2 x 4.2 in., approx. 26.8 oz. / 80.4 x 105.5mm, approx. 760g
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- Focal Length & Maximum Aperture: 50mm f/1.8
- Lens Construction: 6 elements in 5 groups
- Diagonal Angle of View: 46°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 1.15 ft. / 0.35m
- Filter Size: 49mm
- Max. Diameter x Length, Weight: Approx. 2.7 x 1.5 in. / 69.2 x 39.3mm, Approx. 5.6 oz. / 159g
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1 in stock
- Brand: Nikkor
- Compatible with: Cameras
- Interchangeable Lense Type: SLR Lenses
- External Product ID: 18208021376
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Two Ultra-Low Dispersion Elements
- Air-Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
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