Samyang Cine V-AF 20mm T1.9 FE Lens (Sony E)
34,500 EGP

- 20mm T1.9 Cinema Lens with Autofocus
- Supports Sensors up to 8K
- Compact & Lightweight for Gimbals/Drones
- LED Tally Lamp on Front
- Custom Function Switch for Focus Save
- 94.5° AOV, Full-Frame Coverage
- Multilayer Coating to Reduce Flare
- Accessory Options for Front of Lens
- 7.5″ Minimum Focus Distance
Available on backorder
The Samyang Cine V-AF 20mm T1.9 FE Lens is a powerful ultra-wide-angle prime lens designed for Sony E-mount cameras. With its bright T1.9 aperture, this lens excels in low-light conditions while producing a cinematic shallow depth of field. Whether you’re shooting films, documentaries, or vlogs, this lens ensures sharp, distortion-free visuals.
Key Features:
✔ 20mm Ultra-Wide Angle – Perfect for expansive landscapes and tight interiors.
✔ Fast T1.9 Aperture – Superb low-light performance and beautiful bokeh.
✔ Smooth Autofocus (AF) – Ideal for video recording and fast-moving scenes.
✔ Compact & Lightweight – Easy to handle for gimbal and handheld shooting.
✔ Cine-Styled Gear Rings – Compatible with follow focus systems.
Additionally, the lens features minimal focus breathing, ensuring smooth focus transitions. The 10-blade diaphragm creates natural bokeh, while the multi-coating reduces flares and ghosting.
For filmmakers seeking affordable cine-quality glass, this lens is a game-changer. Pair it with Sony’s full-frame or APS-C cameras for professional-grade results.
Why Choose This Lens?
-
Versatile for both video and photography
-
Durable metal build for long-term use
-
Great value compared to high-end cine lenses
Upgrade your gear with the Samyang Cine V-AF 20mm T1.9 and capture stunning visuals effortlessly!
| 5 |
|
0 |
| 4 |
|
0 |
| 3 |
|
0 |
| 2 |
|
0 |
| 1 |
|
0 |
Related Products
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Super UD Element, One UD Element
- Two Aspherical Elements
- Air Sphere and Fluorine Coatings
- Dual Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Detachable, Rotatable Tripod Collar
- Rounded 9-Blade Diaphragm
Out of stock
Out of stock
Brand Nikon
Lens Type Standard
Compatible Mountings Nikon FX
Camera Lens Description 50 millimetres
Maximum Focal Length 50 Millimeters
Out of stock
- Capture stunning wide-angle shots with the Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens. Perfect for landscapes, architecture, and interiors, this lightweight lens features Image Stabilization and smooth STM autofocus for sharp, vibrant photos.
Out of stock
- Brand: Nikkor
- Compatible with: Cameras
- Interchangeable Lense Type: SLR Lenses
- External Product ID: 18208021376
Out of stock
Out of stock
The EF 50mm f/1.2L USM Lens from Canon is a fast prime lens featuring a particularly large maximum aperture for effective low-light and shallow depth of field capability. As a standard focal length lens, it is suitable for most any shooting situation and its lens coating and optical construction are optimized to minimize chromatic aberrations, ghosting and flare
Out of stock
- Lightweight, fast, and affordable—the Sony FE 50mm f/1.8 delivers beautiful bokeh and crisp detail for portraits, everyday shots, and low-light moments.
For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
Out of stock
The XF 50-140mm F2.8 R LM OIS WR is a versatile telephoto zoom lens designed for FUJIFILM X-mount mirrorless cameras, offering a 76-213mm equivalent focal length range.
Out of stock
The AF-S NIKKOR 35mm F/1.8G ED integrates the precise AF systems of our D-SLR cameras. The lens has Silent Wave Motor technology that works quickly and quietly; Which makes it ideal for shooting video clips. The manual focus ring allows precise adjustments to be made to provide the right position for your shots.
Out of stock
- Benq
- BESTON
- BOYA
- CAME-TV
- Camelion
- Canon
- Comica
- DJI
- Easy Cover
- Eirmai
- Elfakharany Digital
- Energizer
- Falcam
- FANCIER
- FB
- FeiyuTech
- FOG
- FujiFilm
- General
- Genpro
- Godox
- Gopro
- Hollyland
- Huawei
- Insta360
- IQ&T
- ITECH
- Jackar
- Jmary
- Joby
- Joop
- K&F
- Kodak
- LENSGO
- Lexar
- Lilliput
- Mamen
- Manfrotto
- Marantz
- MCOPLUS
- Meike
- Nanlite
- Neewer
- Nest
- Nikon
- Nitecore
- Olympus
- Panasonic
- Penflex
- Pisen
- PROEL
- QC
- RØDE
- Samyang
- SanDisk
- Saramonic
- Sennheiser
- Sigma
- SmallRig
- Sony
- Tamron
- TELESIN
- Tolifo
- Triopo
- Ulanzi
- Varta
- Viltrox
- Visico
- Weifeng
- Yongnuo
- Zhiyun
- Zoom























Reviews
There are no reviews yet.