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sony fe 24-70mm f2.8 GM II
Original price was: 117,000 EGP.110,000 EGPCurrent price is: 110,000 EGP.
sony fe 24-70mm f2.8 GM II
Overview
Small Size, Huge Versatility
The Sony FE 24-70mm f/2.8 GM II lens is a compact and lightweight standard zoom that excels in both photo and video applications, featuring optical and focusing upgrades for enhanced performance.
Key Features
- G Master Image Quality
- 24.1 Megapixel APS-C CMOS Sensor: Captures high-resolution images with beautiful bokeh and low noise.
- Optical Design: Includes two ED and two Super ED elements to minimize chromatic aberrations.
- Aspherical Elements: Five elements, including two extreme aspherical, reduce distortion and enhance bokeh.
- Nano AR Coating II: Reduces flare and ghosting.
- 11-Blade Diaphragm: Creates smooth, circular bokeh.
- Faster AF and Floating Focus Mechanism
- XD Linear Motors: Offer faster, quieter, and more precise autofocus, ideal for fast-moving subjects.
- Floating Focus Mechanism: Maintains image quality across the focusing range; close-up performance with a minimum focus distance of 8.3″ at 24mm and 11.8″ at 70mm.
- Improved Control and Video Capabilities
- Minimized Focus Breathing: Reduces unwanted movements during video recording.
- Quiet Operation: XD Linear Motors allow for silent AF during video.
- Linear Response MF: Offers natural manual focus control.
- De-clicked Aperture Ring: Enables silent operation for video.
- Compact, Lightweight, and Robust Design
- Portable Size: Approximately 22% lighter and 18% smaller than its predecessor.
- Weather-Sealed: Durable design with rubber gaskets for inclement weather.
- Fluorine Coating: Repels contaminants for easier cleaning.
- Programmable Buttons: Two focus hold buttons for intuitive control.
Conclusion
The Sony FE 24-70mm f/2.8 GM II is an exceptional lens for photographers and videographers seeking versatility, quality, and portability in their equipment.
sony fe 24-70mm f2.8 GM II
| Maximum Aperture | f/2.8 |
|---|---|
| Minimum Aperture | f/22 |
| Minimum Focus Distance | 8.3" / 21 cm |
| Maximum Magnification | 0.32x |
| Focus Type | Autofocus |
| Filter Size | 82 mm (Front) |
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Type
Type G AF-S DX lens with built-in CPU and F mount
Focal length
18-140 mm
Maximum aperture
f/3.5-5.6
Minimum aperture
f/22-38
Lens construction
17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element)
Angle of view
76° – 11°30′
Focusing
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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