Samyang Cine EF 100mm T2.3 FE Lens (E Mount)
30,750 EGP

- 100mm T2.3 Cinema Lens with Autofocus
- Supports Sensors up to 8K
- Compact & Lightweight for Gimbals/Drones
- LED Tally Lamp on Front
- Custom Function Switch for Focus Save
- 25.4° AOV, Full-Frame Coverage
- Multilayer Coating to Reduce Flare
- 58mm Filter Thread
- Accessory Options for Front of Lens
- 2.3′ Minimum Focus Distance
Available on backorder
The Samyang Cine EF 100mm T2.3 FE Lens is a must-have for professional videographers. With its fast T2.3 aperture, it excels in low-light conditions while maintaining sharpness. Additionally, the E-mount compatibility ensures seamless integration with Sony cameras, similar to the flexibility offered by the Samyang Cine 100mm T2.3 lens.
Key Features:
✔ T2.3 Aperture – Ideal for cinematic depth and bokeh effects.
✔ Full Manual Focus – Precise control for filmmakers.
✔ Durable Build – Robust metal construction for long-term use.
✔ Minimal Distortion – Ensures accurate image reproduction, similar to the capabilities of the Samyang Cine 100mm T2.3.
Furthermore, the Samyang Cine 100mm T2.3 lens provides smooth focus transitions, making it perfect for interviews and narrative films. Its lightweight design enhances portability without sacrificing performance. Whether shooting short films, documentaries, or commercials, this lens delivers outstanding results.
Moreover, the 11-blade aperture diaphragm of the Samyang Cine 100mm T2.3 creates beautiful background blur. The 100mm focal length is ideal for portraits and close-up shots. Finally, its affordable price makes it a great alternative to high-end cine lenses.
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
Out of stock
The AF-S NIKKOR 35mm F/1.8G ED integrates the precise AF systems of our D-SLR cameras. The lens has Silent Wave Motor technology that works quickly and quietly; Which makes it ideal for shooting video clips. The manual focus ring allows precise adjustments to be made to provide the right position for your shots.
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- L-series ultra-wide zoom lens with an impressive 11mm starting focal length
- Focal Length & Maximum Aperture: 11-24mm f/4, Closest Focusing Distance : 11 in. / 0.28m
- New optical design and the use of one Super UD element and one UD lens element
- Subwavelength Coating (SWC) and Air Sphere Coating (ASC), Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms
- Full-time manual focus allows manual focus adjustment while in AF Mode
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- Capture stunning wide-angle shots with the Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens. Perfect for landscapes, architecture, and interiors, this lightweight lens features Image Stabilization and smooth STM autofocus for sharp, vibrant photos.
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Brand Nikon
Lens Type Standard
Compatible Mountings Nikon FX
Camera Lens Description 50 millimetres
Maximum Focal Length 50 Millimeters
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The XF 50-140mm F2.8 R LM OIS WR is a versatile telephoto zoom lens designed for FUJIFILM X-mount mirrorless cameras, offering a 76-213mm equivalent focal length range.
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- The Canon RF 35mm F1.8 IS STM Macro Lens is a versatile prime lens for full-frame mirrorless cameras, offering a natural 35mm perspective, fast F1.8 aperture, Hybrid IS, and 0.5x macro capability. Perfect for portraits, low-light photography, and close-up shots.
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