Samyang AF Remaster Slim Lens Set for Sony FE
20,000 EGP

Compact, versatile, and high-performing, the Samyang AF Remaster Slim Lens Set for Sony FE delivers exceptional image quality and fast autofocus in a lightweight design—perfect for travel and everyday shooting.
Available on backorder
Samyang AF Remaster Slim Lens Set for Sony FE
Unlock your creative potential with the designed specifically for Sony FE-mount “Large-sensor modern digital camera camera”
cameras. This carefully curated set includes Flexible prime lenses that deliver exceptionalimage quality, compact design,
and fast easy focus—perfect for photographers and videographers on the go.
Key Features:
Compact and Lightweight Design
The slim and portable lenses make this set ideal for travel, street photography,and everyday use without adding bulk to your gear.
Versatile Focal Lengths
Includes a range of focal lengths that cover wide-angle to standard perspectives, giving you creative flexibility in various shooting situations.Fast f/2 Apertures
Bright apertures across the set allow excellent low-light performance and beautiful background blur for professional-looking images.Advanced Autofocus System
Equipped with fast and silent autofocus motors, perfect for both still photography and video recording.Superior Optical Performance
Each lens features high-quality optics with aspherical and extra-low dispersion elements, delivering sharpness, vivid colors, and minimal distortion.- you can buy it now from elfakharanydigital
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- Focal Length & Maximum Aperture: 50mm f/1.8
- Lens Construction: 6 elements in 5 groups
- Diagonal Angle of View: 46°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 1.15 ft. / 0.35m
- Filter Size: 49mm
- Max. Diameter x Length, Weight: Approx. 2.7 x 1.5 in. / 69.2 x 39.3mm, Approx. 5.6 oz. / 159g
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- Aperture Range: f/2.8 to f/22
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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- Three Aspherical Elements
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The EF 50mm f/1.2L USM Lens from Canon is a fast prime lens featuring a particularly large maximum aperture for effective low-light and shallow depth of field capability. As a standard focal length lens, it is suitable for most any shooting situation and its lens coating and optical construction are optimized to minimize chromatic aberrations, ghosting and flare
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