VILTROX AF 13mm F1.4 Z Lens for Nikon Z-Mount
24,999 EGP

- The VILTROX AF 13mm F1.4 Z Lens delivers stunning ultra-wide-angle shots with a fast F1.4 aperture. Perfect for landscapes, astrophotography, and low-light shooting, this Nikon Z-mount lens ensures sharp, vibrant images with minimal distortion.
Available on backorder
The VILTROX AF 13mm F1.4 Z Lens is a high-performance ultra-wide prime lens designed for Nikon Z-mount cameras. With its fast F1.4 aperture, it excels in low-light conditions while producing sharp, detailed images.
This lens is ideal for:
✔ Landscape photography – Capture expansive scenes with stunning clarity.
✔ Astrophotography – Shoot the night sky with minimal coma and distortion.
✔ Architectural photography – Benefit from low distortion and edge-to-edge sharpness.
Key Features:
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13mm Ultra-Wide Angle – Expansive field of view for creative compositions.
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F1.4 Large Aperture – Excellent performance in dim lighting.
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Autofocus (AF) System – Quick and precise focusing for both photos and videos.
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Multi-Layer Coating – Reduces flare and ghosting for better contrast.
Additionally, the lens has a solid metal build, ensuring durability. Its compact design makes it easy to carry for travel photography. Whether you’re shooting cityscapes or the Milky Way, the VILTROX 13mm F1.4 delivers professional results.
Why Choose VILTROX 13mm F1.4 Nikon Lens?
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Minimal distortion for accurate rendering.
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Smooth bokeh at wide apertures.
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Compatible with Nikon Z-mount mirrorless cameras.
Upgrade your gear with this powerful ultra-wide lens and take your photography to the next level!
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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- Capture stunning wide-angle shots with the Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens. Perfect for landscapes, architecture, and interiors, this lightweight lens features Image Stabilization and smooth STM autofocus for sharp, vibrant photos.
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Type
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Type G AF-S DX lens with built-in CPU and F mount
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Focal length
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18-140 mm
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Maximum aperture
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f/3.5-5.6
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Minimum aperture
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f/22-38
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Lens construction
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17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element)
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Angle of view
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76° – 11°30′
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Focusing
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Nikon Internal Focusing (IF) System with autofocus controlled by Silent Wave Motor and separate focus ring for manual focus
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- Focal Length & Maximum Aperture: 50mm f/1.8
- Lens Construction: 6 elements in 5 groups
- Diagonal Angle of View: 46°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 1.15 ft. / 0.35m
- Filter Size: 49mm
- Max. Diameter x Length, Weight: Approx. 2.7 x 1.5 in. / 69.2 x 39.3mm, Approx. 5.6 oz. / 159g
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The AF-S NIKKOR 35mm F/1.8G ED integrates the precise AF systems of our D-SLR cameras. The lens has Silent Wave Motor technology that works quickly and quietly; Which makes it ideal for shooting video clips. The manual focus ring allows precise adjustments to be made to provide the right position for your shots.
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Brand Nikon
Lens Type Standard
Compatible Mountings Nikon FX
Camera Lens Description 50 millimetres
Maximum Focal Length 50 Millimeters
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