English
العربية
VILTROX 33mm F1.4 Z Lens for Nikon Z-Mount
15,999 EGP
- Upgrade your Nikon Z-mount camera with the VILTROX 33mm F1.4 lens, delivering ultra-sharp images, smooth bokeh, and excellent low-light performance. Perfect for portraits, street photography, and videography.
Available on backorder
The VILTROX 33mm F1.4 Z lens is a high-performance prime lens designed for Nikon Z-mount cameras. First and foremost, it delivers exceptional clarity with minimal distortion, thanks to its advanced multi-coated optics. Moreover, the wide F1.4 aperture ensures superb low-light performance, making it ideal for portraits, events, and night photography.
Key Features:
✔ 33mm Focal Length – Not only is it versatile for portraits, but it also excels in everyday shooting.
✔ Ultra-Fast F1.4 Aperture – As a result, you get creamy bokeh and sharp subject isolation.
✔ High-Quality Optics – Additionally, the anti-reflective coatings reduce flares and ghosting.
✔ Lightweight & Durable – On top of that, its compact design makes it perfect for travel.
✔ Smooth Manual Focus – Therefore, videographers gain precise control for cinematic shots.
Furthermore, this lens features a 10-blade diaphragm, which means smoother background blur compared to cheaper lenses. In addition, the metal mount ensures long-term durability, while the natural 33mm perspective mimics the human eye. For instance, it’s perfect for street photography because it captures scenes realistically.
Why Choose This Lens?
Above all, it’s affordable yet professional-grade, unlike overpriced alternatives.
Similarly, it’s compatible with Nikon Z6, Z7, Z5, and Z50, so you can use it across multiple bodies.
Finally, the color accuracy and contrast outperform many competitors.
In conclusion, the VILTROX 33mm F1.4 Z lens is a must-have for photographers who value quality and versatility. Order now and elevate your creativity!
Related Products
Out of stock
For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
Out of stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.2 to f/16
- One UD Element, One Aspherical Element
- Ring-Type Ultrasonic Motor AF System
- Customizable Control Ring
- Rounded 10-Blade Diaphragm
Out of stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Super UD Element, One UD Element
- Two Aspherical Elements
- Air Sphere and Fluorine Coatings
- Dual Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Detachable, Rotatable Tripod Collar
- Rounded 9-Blade Diaphragm
Out of stock
The EF 50mm f/1.2L USM Lens from Canon is a fast prime lens featuring a particularly large maximum aperture for effective low-light and shallow depth of field capability. As a standard focal length lens, it is suitable for most any shooting situation and its lens coating and optical construction are optimized to minimize chromatic aberrations, ghosting and flare
Out of stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2 to f/22
- Ultra-Low Dispersion Elements
- Ring-Type Ultrasonic Motor AF System
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
Out of stock
Out of stock
- EF-S-Mount Lens/APS-C Format
- 38.4mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- One Aspherical Element
- Super Spectra Coating
- STM Stepping AF Motor
- Rounded 7-Blade Diaphragm
Out of stock
The EF 100mm f/2.8L Macro IS USM Lens from Canon is the L-series version of Canon’s popular 100mm Macro lens. As an L-series lens it offers the utmost in optical construction, including ultra-low dispersion lens elements and moisture and dustproof seal structure on the barrel. Its 100mm focal length is effective for portraiture and other telephoto applications and as a macro lens with 1:1 magnification and a 12″ minimum focus distance, it is ideal for life-size close-up imaging.
1 in stock
1 in stock
- L-series ultra-wide zoom lens with an impressive 11mm starting focal length
- Focal Length & Maximum Aperture: 11-24mm f/4, Closest Focusing Distance : 11 in. / 0.28m
- New optical design and the use of one Super UD element and one UD lens element
- Subwavelength Coating (SWC) and Air Sphere Coating (ASC), Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms
- Full-time manual focus allows manual focus adjustment while in AF Mode
Out of stock
Reviews
There are no reviews yet.