Canon RF 85mm f/1.2L USM Lens
Canon RF 85mm
Specifications
- Focal length: 85mm
- Maximum aperture: f/1.2
- Minimum aperture: f/16
- Lens mount: Canon RF
- Optical design: 13 elements in 9 groups
- Diaphragm blades: 9 rounded
- Filter size: 82mm
- Dimensions: 4.06 x 4.62″
- Weight: 2.6 lbs
Image Quality
You can probably guess what I’m going to say here. What are the chances that Canon is going to release an RF mount “L” lens that isn’t basically optically perfect. The RF 85 f/1.2L doesn’t disappoint. It’s really close to perfect. The images this lens produces are simply beautiful. From color rendition to sharpness to bokeh, this lens is not going to disappoint you. In fact, it’ll probably leave your jaw dropped more often than not.
This lens also has character. The images it produces have that certain pop that you’ve come to expect from Canon “L” lenses.
Sharpness
The Canon RF 85 f/1.2L USM is incredibly sharp throughout the entire aperture range. At f/1.2 it’s tack sharp in the center and plenty sharp toward the edges. It’s the sharpest 85mm I’ve ever used. Compared to the EF 85 f/1.2L USM II, the RF 85 is sharper in the center and towards the edges. Above f/4.0, this lens is razor sharp.
Let’s look at some examples:
100% Crop Comparison – Center
100% Crop Comparison – Bottom Left Edge
Color & Contrast
The RF 85 1.2L produces rich, true to life colors with the right amount of contrast and detail. And in the words of Forrest Gump, “that’s all I have to say about that.”
Build Quality
The Canon RF 85 1.2L USM is built like a tank. It’s long, heavy and bulky. At 2.6 lb, it weighs more than the new RF 70-200 f/2.8L (2.36 lb). That said, pretty much all of the new extremely sharp, bokehlicious lenses are huge. The Sigma 85 1.4 Art weighs a comparable 2.49 lb. While the new trend toward big lenses might be bad for the wrists, it’s good for optical quality. Physics is physics after all.
The size and weight notwithstanding, this lens is well built and beautiful. I can’t say enough positive things about the aesthetics of the new RF line of lenses. After years of lenses that looked like they were from the 80’s, Canon has moved us solidly into the modern world in terms of design. It also features weather-sealing, a metal mount ring, and a plastic outer body that reduces weight. As with all the other RF lenses, it also features a control ring that you can use to control ISO, aperture, or pretty much whatever else you want.
[Related Reading: Face Tracking and Eye AF Dramatically Improved with Latest Canon EOS R Firmware 1.4]
Bokeh & Depth of Field
The whole reason one buys an 85mm 1.2 is for bokeh and depth of field, right? The RF 85 1.2 L USM doesn’t disappoint. In fact it’s probably the queen of bokeh. Out of focus elements are smooth and creamy with soft beautiful edges. Even at f/5.0 (see the image below), the out of focus elements are beautiful. At f/1.2, the bokeh is smooth and dreamlike.
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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The EF 100mm f/2.8L Macro IS USM Lens from Canon is the L-series version of Canon’s popular 100mm Macro lens. As an L-series lens it offers the utmost in optical construction, including ultra-low dispersion lens elements and moisture and dustproof seal structure on the barrel. Its 100mm focal length is effective for portraiture and other telephoto applications and as a macro lens with 1:1 magnification and a 12″ minimum focus distance, it is ideal for life-size close-up imaging.
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The AF-S NIKKOR 35mm F/1.8G ED integrates the precise AF systems of our D-SLR cameras. The lens has Silent Wave Motor technology that works quickly and quietly; Which makes it ideal for shooting video clips. The manual focus ring allows precise adjustments to be made to provide the right position for your shots.
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Type
Type G AF-S DX lens with built-in CPU and F mount
Focal length
18-140 mm
Maximum aperture
f/3.5-5.6
Minimum aperture
f/22-38
Lens construction
17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element)
Angle of view
76° – 11°30′
Focusing
Nikon Internal Focusing (IF) System with autofocus controlled by Silent Wave Motor and separate focus ring for manual focus
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- Focal Length & Maximum Aperture: 50mm f/1.8
- Lens Construction: 6 elements in 5 groups
- Diagonal Angle of View: 46°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 1.15 ft. / 0.35m
- Filter Size: 49mm
- Max. Diameter x Length, Weight: Approx. 2.7 x 1.5 in. / 69.2 x 39.3mm, Approx. 5.6 oz. / 159g
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Three Ultra-Low Dispersion Elements
- Air Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
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Benefits
- Affordable telephoto zoom lens
- USM autofocus motor
- Super Spectra coatings
- Lightweight design
- 58mm filter size
- 1.5m closest focusing distance
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Super UD Element, One UD Element
- Two Aspherical Elements
- Air Sphere and Fluorine Coatings
- Dual Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Detachable, Rotatable Tripod Collar
- Rounded 9-Blade Diaphragm
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2 to f/22
- Ultra-Low Dispersion Elements
- Ring-Type Ultrasonic Motor AF System
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
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