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- Upgraded Algorithm. Dynamic Stabilization: Highly optimized in motor control algorithms and motor power, CRANE 2S handles large cameras such as the BMPCC 6K, Panasonic S1H, EOS 1DX Mark III in total ease. More than that, you can also mount multiple accessories on it.
- Stay Focused All the Way: Together with TransMount Image Transmission System, fous pullers will be able to focus and zoom while live monitoring the shots. Even more, they will also be able to change gimbal parameters and modes if needed.
- Bigger Screen to Boost Your Productivity: The new 0.96″ OLED screen offers a bigger vision. With it, you will be able to go through the entire menu within seconds and switch between different modes swiftly.
- Axis Locking Mechanism 2.0: The upgraded axis locking mechanism 2.0 adopts a two-phase locking design that guarantees zero swinging of the gimbal during traveling or storage.
- Say Hi to Buttery Smooth Movement: Six gimbal modes, from basic to advanced, are all easily accessible on CRANE 2S: Pan Following, Locking, Following, Full-Range POV, Vortex, Go mode.
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| Audio Recording | |
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| Angle of View | |
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| Colour Map | |
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| Exposure Modes | |
| Autofocus Sensitivity | |
| Eye Point | |
| Max Operating Range | |
| Interval Recording | |
| Audio I/O | |
| Aspect Ratio | |
| Bit Rate | |
| Display Type | |
| Compatible devices | |
| Continuous Shooting | |
| Crop Factor | |
| Built-In ND Filter | |
| Ball head | |
| Designed for | |
| Dimensions | |
| color | |
| Approx. Battery Life | |
| Dynamic Range | |
| Exposure Compensation | |
| Capacity | |
| Bulb/Time Mode | |
| External Recording Modes | |
| Dedicated Flash System | |
| Built-In Microphone Type | |
| Item Weight | |
| Diversity | |
| Audio Format | |
| Filter Size | |
| Gain Range | |
| IP Streaming | |
| Gamma Curve | |
| ISO Sensitivity | |
| Image File Format | |
| Image Sensor | |
| Image Sizes | |
| Fixed Focus | |
| Image Stabilization | |
| Focal Length | |
| wirless | |
| .Guide number | |
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| .Operating temperature | |
| Cover angle: cover light of 24mm lens Recycle time | |
| Environmental Protection | |
| Fast-/Slow-Motion Support | |
| Frequency Range | |
| Included Transmitters | |
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| Lens Mount | |
| Load Capacity | |
| Inputs | |
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| Media/Memory Card Slot | |
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| Internal Battery Capacity | |
| Follow Speed | |
| Internal Filter Holder | |
| Internal Recording Modes | |
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| tripod self-envy: | |
| material | |
| Mobile App Compatible | |
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| Number of Pixels (total) | |
| Network I/O | |
| Adjustable Length | |
| Self-Timer | |
| Recording Limit | |
| Resolution | |
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| Sensor Crop Modes | |
| Sensor Resolution | |
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| Shooting Modes | |
| Shutter Speed | |
| Sampling Frequency | |
| Power I/O | |
| Sensitivity | |
| Number of Axes | |
| Wireless Frequency | |
| Wireless Protocol | |
| Waterproof | |
| Still Image Support | |
| Volume Weight | |
| White Balance Modes | |
| weight | |
| Wireless | |
| Minimum Focus Distance | |
| Video I/O | |
| Microphone Type | |
| Tripod Mounting Thread | |
| Type | |
| USB/Lightning Connectivity | |
| Size | |
| Creative Effects | |
| Metering Range | |
| Viewfinder Type | |
| Video Format | |
| max load | |
| wight tripod | |
| maximum working height: | |
| minimum working height | |
| Video Output | |
| Sound Field | |
| remote battrey | |
| degree | |
| video quality | |
| extended height | |
| Tripod Collar | |
| Wireless Technology | |
| Still Image Capture Aspect Ratio | |
| Minimum Aperture | |
| load | |
| main material | |
| time Video | |
| White Balance | |
| LED light: |
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- Rear Underslung Handle in Compact Design
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- Arca Swiss/Manfrotto Quick Release Plate
- Supports All TransMount Accessories
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- Dual channel wireless microphone system for recording two sound sources
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