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Canon EOS C70 Cinema Camera (RF Mount Camera)
- anon Super 35mm Dual Gain Output (DGO) Sensor, 16 stops of Total Dynamic Range
- DIG!C DV7 Image Processor
- Canon Log 2 and 3, PQ, and HLG Recording
- RF Mount
- EF Lens Compatibility with Mount Adapter EF-EOS R 0.71x
- Direct Touch Control
- Approved for use in Netflix productions
- Firmware Available Summer 2023 Adds New Features:
- Improvement to Clear Scan shutter mode
- Improved Face Detection AF
- Waveform Monitor/Vector Scope magnification
- Adds support for Flex Zoom CN-E14-35MM T1.7 L S
PROFESSIONAL CINEMA. COMPACT DESIGN.
The Canon EOS C70 offers exceptional cinema capabilities in a compact package. Enjoy stunning images with a 4K Super 35mm DGO Sensor and all the built-in features you could ask for, including ND Filters, mini XLRs, direct touch rotatable LCD screen, Dual Pixel CMOS Autofocus, and excellent battery life. Making the EOS C70 even more powerful is compatibility with Canon’s expanding line of high-performance RF Lenses.
IMPRESSIVE IMAGE QUALITY
Get smooth blacks and bold colors. The EOS C70’s Super 35mm DGO Sensor generates 16 stops of total dynamic range and maintains low noise levels in order to prioritize saturation for bright areas and lower noise for darker areas.
MORE BUILT-INS, LESS ADD-ONS, MAX VALUE
Start shooting from day one with all the built-ins you could ask for including ND filters for various lighting conditions, mini XLRs for professional audio recording, and dual SD card slots for simultaneous recording in different formats. Access it all with one hand on the direct touch rotatable LCD screen, allowing for on-the-spot changes while holding the camera.
SERIOUS CINEMA IN A SMALL PACKAGE
Control your dynamic range by choosing between Canon Log 2 or Canon Log 3 Gamma,
and capture frame rates up to 120 fps in 4K or up to 180 fps in 2K CROP mode–all
with electronic image stabilization.
Enhance the EOS C70 further by synchronizing multi-camera productions
via the built-in timecode port and adding
Cinema RAW Light internal recording
, Canon 709 Custom Picture Profile, XF-AVC Intra 4K 60p recording, and other new features via a free firmware upgrade.
BUILT TO BE TAKEN ANYWHERE
Designed to go where you go, the EOS C70’s unibody design exhibits a compact form factor and a built-in ergonomic grip that makes handheld shooting easy and comfortable.
CANON’S RF SYSTEM & LEGENDARY LENSES
The EOS C70 is a cinema powerhouse all on its own and is engineered with a built-in RF mount for compatibility with Canon’s expanding line of high-performance RF Lenses.
For increased flexibility, the EOS C70 is also compatible with Canon’s line of award-winning EF lenses using the Mount Adapter EF-EOS R 0.71x. This maintains a similar full-frame angle of view on the Super 35mm sensor, but boosts the speed of the attached lens by an average of 1-stop.
FEATURES
Canon Super 35mm Dual Gain Output (DGO) Sensor, 16 stops of Total Dynamic Range
The EOS C70 features Canon’s next generation Super 35mm Dual Gain Output (DGO) Sensor. This sensor is capable of a total dynamic range in excess of 16 stops and includes Canon’s exclusive Dual Pixel CMOS Autofocus technology.
The DGO Sensor is an imaging system that generates high dynamic range and maintains low noise levels by reading out each photodiode with two different gains. It combines the two with a saturation prioritizing gain for bright areas, and a lower noise prioritizing gain for darker areas.
Enhanced Clear Scan Mode
Firmware available Summer 2023 will add improvements to Clear Scan shutter mode to help reduce or virtually eliminate the flickering caused by some LED walls.
DIG!C DV7 Image Processor
The EOS C70 features Canon’s DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.
Canon Log 2 and 3, PQ, and HLG Recording
The EOS C70 supports both Canon Log 2 and Canon Log 3 Gamma.
In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of.
Log workflows provide the user with higher dynamic range (16 stops),
more highlight and shadow retention, and more flexibility in color grading.
Canon Log 2 provides the largest dynamic range and image detail. However,
while Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor,
it typically requires more time in post and color correction.
For users looking for most of the benefits of a log workflow,
but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.
The EOS C70 also features HLG and PQ compliance with ITU-BT.2100 in Custom Picture (CP) presets,
allowing users to record HDR footage instantly without grading.
Canon 709 Custom Picture Preset
The new Canon 709 CP preset features the same dynamic range as the Wide DR profile with great contrast. Canon 709 provides a rich, cinematic look to your footage right out of the box,
with little to no processing or color grading, helping to save time in postproduction.
RF Mount
The EOS C70 is the first Cinema EOS camera engineered
with a built-in RF mount making it compatible with Canon’s expanding line of high-performance RF lenses. The short flange distance helps to dramatically reduce body depth, resulting in a more compact design.
EF Lens Compatibility with Mount Adapter EF-EOS R 0.71x
In addition to RF lenses, the EOS C70
offers tremendous flexibility by also being compatible with Canon’s broad line of award-winning EF lenses
thanks to the new EF – RF optical adapter,
Mount Adapter EF-EOS R 0.71x.
This adapter converts light transmission from full-frame to Super
35mm image format. It extends the angle of view and optical sensitivity, while seamlessly integrating with the camera’s optical corrections.
The adaptor connects to the camera’s RF mount with additional support
from two flanges that securely attach via four screws, making for a very robust connection.
Once mounted, the adapter maintains a similar full-frame angle of view on the Super 35mm sensor,
while boosting the speed of the attached lens by an average of 1-stop.
The adapter also carries all EF information through to the RF contacts, so on certain lenses*,
full DPAF, aberration and vignetting correction,
and metadata will be available, working just as they do on a native EF mount.
| Adjustable Length | |
|---|---|
| Light | |
| Autofocus Points | |
| Ball head | |
| Clamping | |
| Approx. Battery Life | |
| Battery Type | |
| Bit Depth | |
| Bit Rate | |
| Brand Name | |
| Compatible devices | |
| Built-In Flash/Light | |
| Exposure Modes | |
| Eye Point | |
| Angle of View | |
| Metering Range | |
| Max Operating Range | |
| Item Weight | |
| Audio Recording | |
| Audio Format | |
| Brand | |
| Diversity | |
| Continuous Shooting | |
| Crop Factor | |
| Bulb/Time Mode | |
| External Recording Modes | |
| Built-In Microphone Type | |
| Dimensions | |
| Display Type | |
| Colour Map | |
| Aspect Ratio | |
| Exposure Compensation | |
| Capacity | |
| Built-In ND Filter | |
| Dedicated Flash System | |
| Autofocus Sensitivity | |
| Designed for | |
| Battery | |
| Lens Communication | |
| Dynamic Range | |
| Audio I/O | |
| Filter Size | |
| Gain Range | |
| IP Streaming | |
| Gamma Curve | |
| ISO Sensitivity | |
| Image File Format | |
| Image Sensor | |
| Image Sizes | |
| Fixed Focus | |
| Image Stabilization | |
| Focal Length | |
| wirless | |
| .Guide number | |
| S1/S2 transmission: | |
| .Operating temperature | |
| Cover angle: cover light of 24mm lens Recycle time | |
| Environmental Protection | |
| Fast-/Slow-Motion Support | |
| Frequency Range | |
| Included Transmitters | |
| Inputs/Outputs | |
| Internal Battery Capacity | |
| Load Capacity | |
| Inputs | |
| Maximum Aperture | |
| Maximum Weight Recommendation | |
| Media/Memory Card Slot | |
| Metering Method | |
| Internal Filter Holder | |
| Follow Speed | |
| Internal Recording Modes | |
| Interval Recording | |
| Material of Construction | |
| Gross Weight | |
| Frequency Response | |
| Focus Mode | |
| Focus Type | |
| Lens Format Coverage | |
| color | |
| video quality | |
| max load | |
| Model | |
| Model Name | |
| Monitor size | |
| Mounting Options | |
| Network I/O | |
| Self-Timer | |
| Number of Pixels (Effective) | |
| Optical Design | |
| Creative Effects | |
| Other I/O | |
| Outputs | |
| Package Dimensions | |
| Package Weight | |
| Polar Pattern | |
| Power I/O | |
| Slow Motion Mode | |
| Mobile App Compatible | |
| Recharge Time | |
| Product Dimensions | |
| Number of Axes | |
| Recording Limit | |
| Resolution | |
| Rotation Range | |
| SNR | |
| Sampling Frequency | |
| Screen Size | |
| Recording Format | |
| Channels | |
| Receiver Type | |
| Sensor Crop Modes | |
| Sensor Resolution | |
| Sensor type | |
| Shooting Modes | |
| Shutter Speed | |
| Shutter Type | |
| Sensitivity | |
| Size | |
| Sensor | |
| Number of Pixels (total) | |
| Minimum Focus Distance | |
| Volume Weight | |
| weight | |
| Tripod Collar | |
| Waterproof | |
| Wireless | |
| White Balance | |
| Wireless Frequency | |
| Microphone Type | |
| Viewfinder Type | |
| Advertised Dynamic Range | |
| Type | |
| USB/Lightning Connectivity | |
| Video Format | |
| Sound Field | |
| Capture Type | |
| Lens Mount | |
| Wireless Protocol | |
| Video I/O | |
| maximum working height: | |
| extended height | |
| minimum working height | |
| degree | |
| Still Image Support | |
| Minimum Aperture | |
| time Video | |
| remote battrey | |
| wight tripod | |
| Wireless Technology | |
| Tripod Mounting Thread | |
| Still Image Capture Aspect Ratio | |
| Video Output | |
| load | |
| main material | |
| material | |
| tripod self-envy: | |
| White Balance Modes | |
| LED light: |
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