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Sony FE 70-200mm f/2.8 GM OSS II Lens
Original price was: 122,000 EGP.117,000 EGPCurrent price is: 117,000 EGP.
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- 29% Weight Reduction from Previous Model
- Four XD Linear AF Motors; 4x Faster AF
- One XA & One Aspherical Elements
- Two ED Elements & Two Super ED Elements
- Nano AR Coating II
- Optical Steady Shot Image Stabilization
- Dust and Moisture-Resistant Construction
- Eleven-Blade Circular Diaphragm
Improved Optical Performance
A hallmark of the G Master line is outstanding optical performance with both high sharpness and smooth bokeh.
Using a new design, the FE 70-200mm f/2.8 GM OSS II promises corner-to-corner sharpness across the entire zoom range—even when shooting wide open at f/2.8.
Along with that, a newly designed 11-blade aperture helps create soft, pleasing bokeh.
- Fast f/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.
- Two ED (extra-low dispersion) and two Super ED elements, including one aspherical ED element, effectively suppress chromatic and spherical aberrations.
- Two aspherical lenses, including one extreme aspherical lens (XA), minimize distance-related aberrations and also reduce ‘onion ring’ bokeh.
- Nano AR Coating II controls flare and ghosting with support from a new optical design that reduces internal reflections.
- An 11-blade aperture diaphragm helps create smooth, circular bokeh at all aperture settings.
Optimized for Video
Taking cues from their cinema division, Sony has optimized the 70-200mm II for video.
Changes include a dramatic reduction of focus breathing and focus shift, improved autofocus performance,
and a Linear Response MF system to ensure consistent, natural-feeling operation.
Full-time Direct Manual Focus (DMF) also makes it easy to make quick adjustments using the focus ring while in AF modes.
The exterior design of the lens also sees some big changes.
One clear example is the addition of a physical aperture ring that was not present on its predecessor.
Users will be able to de-click this ring at the flip of a switch for smooth iris control during shooting.
This provides shooters with independent controls for focus, zoom, and iris.
Fast Autofocus and Reliable Image Stabilization
Among the biggest improvements with the 70-200mm II is a vastly superior autofocus system.
Now comprised of 4 XD Linear motors, the lens now performs up to four times faster.
Focus tracking while zooming sees its own specific improvement of around 30% when compared to the previous model.
Users will also enjoy high-speed continuous shooting at up to 30 fps with AF and video will benefit from the near-silent operation.
An advanced Optical SteadyShot image stabilization system will ensure sharp images while shooting handheld at even the longest focal lengths.
Multiple modes are available, including standard, panning, and a new Mode 3 for moving subjects.
Professional Design and Durability
Being designed for professional use, the 70-200mm II has been ruggedized with advanced weather sealing.
The weight has also been reduced by approximately 29%, to just under 2.3 lb, making this model among the lightest in its class.
Optics have also been designed for balance with an internal zoom mechanism, minimizing front heaviness to provide a more ergonomic center of gravity.
Other features of the physical design include three programmable focus hold buttons, all located in 90-degree increments, for more tactile control over select settings in both landscape and portrait orientation.
Users also have a removable tripod foot for added stability on support systems.
- Focus range limiter switch will optimize performance and improve AF speed and responsiveness in certain shooting scenarios.
- Zoom ring torque has been optimized.
- Iris lock switch prevents users from accidentally moving the aperture ring to or from the auto aperture position.
- Front lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.
- Included lens hood features a locking button and a filter window for easier adjustment of variable filters (e.g. polarizers, ND).
Teleconverter Compatibility
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Type
Type G AF-S DX lens with built-in CPU and F mount
Focal length
18-140 mm
Maximum aperture
f/3.5-5.6
Minimum aperture
f/22-38
Lens construction
17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element)
Angle of view
76° – 11°30′
Focusing
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The AF-S NIKKOR 35mm F/1.8G ED integrates the precise AF systems of our D-SLR cameras. The lens has Silent Wave Motor technology that works quickly and quietly; Which makes it ideal for shooting video clips. The manual focus ring allows precise adjustments to be made to provide the right position for your shots.
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
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- Two Ultra-Low Dispersion Elements
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- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
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- One Aspherical Element
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- Rounded 7-Blade Diaphragm
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Benefits
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- USM autofocus motor
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- Lightweight design
- 58mm filter size
- 1.5m closest focusing distance
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If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
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- Focal Length & Maximum Aperture: 35mm f/1.4
- Subwavelength Coating (SWC) helps significantly reduce lens ghosting and flare.Lens Construction: 14 elements in 11 groups
- Diagonal Angle of View: 63°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 0.92 ft./0.28m. Increased maximum magnification (0.21x) help expand the range of expression, especially when capturing close-up subjects
- Filter Size: 2.8 in./72mm diameter
- Max. Diameter x Length, Weight: 3.2 x 4.2 in., approx. 26.8 oz. / 80.4 x 105.5mm, approx. 760g
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