NANLITE PAVOTUBE II 60X 2KIT LAMP 240CM

- Two Pavotube II 60x Lights
- 2700-12,000K Color Temp, 96/98 CRI/TLCI
- Onboard DMX, Internal Li-Ion Batteries
- Bluetooth and 2.4 gHz Wireless Options
- Runtime: 1 Hour and 36 Minutes
- RGB Mode, Hue Control
- 10 Pixel-Based Effects
- 15 Practical Effects
- Durable Metal Housing
NANLITE PAVOTUBE II 60X 2KIT LAMP 240CM
With its T12 form factor and built-in li-ion battery, the Nanlite 8′ PavoTube II 60x RGBWW LED Pixel Tube 2-Light Kit offers expansive color and power options. Each tube has two modes.
In CCT mode the tube has an impressive variable color range of 2700 to 12,000K to deal
with any ambient light situations, match other fixtures, or spark creativity.
It also has an RGB mode which allows hue, saturation, and intensity adjustments,
giving you access to literally millions of custom colors. While you can make adjustments to the light on the fixture, you can also make them remotely via a DMX console.
Additionally, the PavoTube has special effects that include hue loop, CCT loop, INT loop, CCT flash,
and hue flash, CCT pulse, hue pulse, storm, police car, TV, paparazzi, candle/fire, disco, bad bulb, firework, explosion, and welding.
The PavoTube is ideal for hiding unobtrusively
in small areas on a set or for shooting in cars, boats, or planes. The kit contains two PavoTube 60x 8′ LED lights, each with an AC adapter.
Get Studio Quality Lighting Anywhere
Next-Generation LED Tube
No Cords Needed
| Adjustable Length | |
|---|---|
| Lens Format Coverage | |
| Autofocus Points | |
| Ball head | |
| Lens Mount | |
| Battery | |
| Battery Type | |
| Bit Depth | |
| Bit Rate | |
| Brand Name | |
| Compatible devices | |
| Built-In Flash/Light | |
| Exposure Modes | |
| Eye Point | |
| Built-In Microphone Type | |
| Designed for | |
| Material of Construction | |
| Interval Recording | |
| Audio Recording | |
| Audio Format | |
| Brand | |
| Diversity | |
| Continuous Shooting | |
| Crop Factor | |
| Bulb/Time Mode | |
| Dedicated Flash System | |
| Channels | |
| Dimensions | |
| Display Type | |
| Colour Map | |
| Aspect Ratio | |
| Exposure Compensation | |
| Capacity | |
| Built-In ND Filter | |
| External Recording Modes | |
| Autofocus Sensitivity | |
| Clamping | |
| Approx. Battery Life | |
| Item Weight | |
| Dynamic Range | |
| Audio I/O | |
| Image Sizes | |
| Fast-/Slow-Motion Support | |
| Gross Weight | |
| Gain Range | |
| IP Streaming | |
| ISO Sensitivity | |
| Image File Format | |
| Image Sensor | |
| Filter Size | |
| Frequency Range | |
| Fixed Focus | |
| wirless | |
| .Guide number | |
| S1/S2 transmission: | |
| .Operating temperature | |
| Cover angle: cover light of 24mm lens Recycle time | |
| Environmental Protection | |
| Image Stabilization | |
| Follow Speed | |
| Light | |
| Metering Method | |
| Included Transmitters | |
| Internal Battery Capacity | |
| Inputs | |
| Max Operating Range | |
| Maximum Aperture | |
| Maximum Weight Recommendation | |
| Media/Memory Card Slot | |
| Inputs/Outputs | |
| Focus Type | |
| Internal Filter Holder | |
| Internal Recording Modes | |
| Load Capacity | |
| Gamma Curve | |
| Frequency Response | |
| Focal Length | |
| Focus Mode | |
| Lens Communication | |
| color | |
| tripod self-envy: | |
| material | |
| Model | |
| Model Name | |
| Monitor size | |
| Mounting Options | |
| Network I/O | |
| Sound Field | |
| Number of Pixels (total) | |
| Optical Design | |
| Size | |
| Other I/O | |
| Outputs | |
| Package Dimensions | |
| Package Weight | |
| Polar Pattern | |
| Power I/O | |
| Number of Axes | |
| Mobile App Compatible | |
| Self-Timer | |
| Product Dimensions | |
| Creative Effects | |
| Recording Limit | |
| Resolution | |
| Rotation Range | |
| SNR | |
| Sampling Frequency | |
| Screen Size | |
| Sensitivity | |
| Metering Range | |
| Receiver Type | |
| Sensor Crop Modes | |
| Sensor Resolution | |
| Sensor type | |
| Shooting Modes | |
| Shutter Speed | |
| Shutter Type | |
| Recording Format | |
| Recharge Time | |
| Sensor | |
| Number of Pixels (Effective) | |
| Wireless Frequency | |
| Wireless Protocol | |
| Volume Weight | |
| weight | |
| Tripod Collar | |
| White Balance Modes | |
| Waterproof | |
| Wireless | |
| Minimum Focus Distance | |
| Video I/O | |
| Microphone Type | |
| Advertised Dynamic Range | |
| Type | |
| USB/Lightning Connectivity | |
| Slow Motion Mode | |
| Capture Type | |
| Angle of View | |
| Viewfinder Type | |
| Video Format | |
| max load | |
| wight tripod | |
| maximum working height: | |
| minimum working height | |
| degree | |
| Still Image Support | |
| Minimum Aperture | |
| remote battrey | |
| video quality | |
| extended height | |
| Tripod Mounting Thread | |
| Wireless Technology | |
| Still Image Capture Aspect Ratio | |
| Video Output | |
| load | |
| main material | |
| time Video | |
| White Balance | |
| LED light: |
| 5 | 0 | |
| 4 | 0 | |
| 3 | 0 | |
| 2 | 0 | |
| 1 | 0 |
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نظرة عامة على odox ML150
ستساعدك الحلقة ML-150 Ringflash ، المتوافقة مع كاميرات DSLR ذات الحذاء الساخن القياسي ، على إلقاء الضوء على هدفك بضوء ناعم بلا ظل تقريبًا لكشف كل التفاصيل. يتكون المصباح الحلقي من مكونين: وحدة تحكم تنزلق في الحذاء الساخن للكاميرا وفلاش الحلقة الذي يتم تركيبه على العدسة. يشتمل Godox على حلقات محول 49 و 52 و 55 و 58 و 62 و 67 ملم لضمان توافق واسع. وحدة التحكم هي “حزمة الطاقة” للنظام. يمكن للوحدة اليدوية تنظيم شدة الضوء بخطوات 1/16 و 1/8 و 1/4 و 1/2 و 1/1. هذا ضوء سهل الاستخدام يتم إعادة تدويره في 0.1 – 2 ثانية يعمل على 4 بطاريات AA (نوصي باستخدام Powerex Pro). عند استخدام البطاريات القابلة لإعادة الشحن الموصى بها ، ستتمكن من الحصول على 300 إلى أكثر من 1000 ومضة. باستخدام هذا الضوء ، يمكنك أيضًا استخدام حزم الطاقة الخارجية مثل PB960 مع قابس مهايئ طراز Canon لتقليل أوقات إعادة التدوير والإضافة إلى سعة الفلاش.
- تفاصيل
- رقم الدليل: 33 (10 م) ، ISO 100
- مناسب لجميع كاميرات DSLR ذات الحذاء الساخن القياسي ، مثل Canon و Nikon و Pentax و Olympus وما إلى ذلك
- يقبل حزمة طاقة خارجية لتقليل وقت إعادة التدوير وتعزيز سعة الفلاش
- التحكم في خرج الطاقة بـ 5 خطوات: 1/16 ، 1/8 ، 1/4 ، 1/2 ، 1/1
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