NANLITE PJ-FORZA 60-19

Brand:

19° Beam Spread
For Dramatic, Theatrical Effects
Ideal Accent Light, Selective Lighting
Includes 4 Gobos, Gel and Gobo Holders
Optional 18-Bladed Iris
Nylon-Coated Metal Housing

... people are viewing this right now

SKU: 1396 Categories: Lighting and Studios, Others Brand: Nanlite

The 19° Projector Mount for Forza 60 and 60B LED Monolights from Nanlite is an accessory for controlling the Forza’s output for theatrical effects, hair lighting, and selective lighting of your subject, via its non-curved lenses that eliminate aberration and minimize distortion, while rendering a 19° beam spread. Advanced features include etched interior walls to prevent edge dispersion and fringing and a nylon-coated housing that allows easy handling after shooting.

The Projector Mount has internal shutters for light shaping and includes a gobo holder with four gobos, a gel frame, and a case. Optional accessories include an 18-bladed iris.

Expertly Crafted Details

Nanlite has gone to great lengths to ensure the light quality emitted by the Forza 60/60B Projector Mount. It utilizes non-curved lenses to eliminate aberration and minimize distortion, while optical metallic-membrane plating increases luminousness and color temperature accuracy. Finally, the internal walls of the housing are etched to reduce edge dispersion and fringing.

Extra Durability and Heat Dispersion

The Forza 60/60B Projector Mount’s housing keeps heat absorption to a minimum through the use of nylon coated metal. Users can easily handle the projector after use, and the nylon design also keeps the fixture lightweight but still robust enough for travel.

Control, Shape, and Layer Your Light

For maximum flexibility in light shaping and control, the Forza 60/60B Projector Mount features internal shutters and include four gobos, a gobo frame, and a gel frame. For even further control of the light’s size and shape, an 18-bladed iris is available separately.

Sturdy Protective Case

Every Forza 60/60B Projector Mount ships in a purpose-built protective case created to stand up to the rigors of traveling to and from the set. It ensures your optics stay safe while still leaving space for additional accessories.

Additional information

Light
Lens Communication
Audio Recording
Autofocus Points
Metering Range
Built-In Microphone Type
Battery
Battery Type
Bit Depth
Brand
Colour Map
Brand Name
Built-In Flash/Light
Exposure Modes
Ball head
Dedicated Flash System
Material of Construction
Internal Recording Modes
Audio I/O
Aspect Ratio
Bit Rate
Display Type
Compatible devices
Continuous Shooting
Crop Factor
Bulb/Time Mode
Capture Type
Designed for
Dimensions
color
Approx. Battery Life
Dynamic Range
Exposure Compensation
Capacity
Built-In ND Filter
External Recording Modes
Channels
Angle of View
Interval Recording
Diversity
Audio Format
Image Sizes
Fast-/Slow-Motion Support
Gross Weight
Gain Range
IP Streaming
ISO Sensitivity
Image File Format
Image Sensor
Filter Size
Frequency Range
Fixed Focus
wirless
.Guide number
S1/S2 transmission:
.Operating temperature
Cover angle: cover light of 24mm lens Recycle time
Environmental Protection
Image Stabilization
Follow Speed
Lens Format Coverage
Metering Method
Included Transmitters
Lens Mount
Inputs
Max Operating Range
Maximum Aperture
Maximum Weight Recommendation
Media/Memory Card Slot
Inputs/Outputs
Focus Type
Internal Battery Capacity
Internal Filter Holder
Load Capacity
Gamma Curve
Frequency Response
Focal Length
Focus Mode
Item Weight
Clamping
time Video
main material
Mobile App Compatible
Model
Model Name
Monitor size
Mounting Options
Size
Number of Axes
Product Dimensions
Power I/O
Optical Design
Other I/O
Outputs
Package Dimensions
Package Weight
Polar Pattern
Network I/O
Number of Pixels (Effective)
Sensor
Number of Pixels (total)
Advertised Dynamic Range
Adjustable Length
Self-Timer
Recording Limit
Resolution
Rotation Range
SNR
Sampling Frequency
Eye Point
Recording Format
Recharge Time
Sensor Crop Modes
Sensor Resolution
Sensor type
Shooting Modes
Shutter Speed
Shutter Type
Screen Size
Sensitivity
Slow Motion Mode
Wireless
Viewfinder Type
Wireless Protocol
Waterproof
Still Image Support
White Balance
Volume Weight
White Balance Modes
Wireless Frequency
Video Format
Minimum Focus Distance
Microphone Type
Tripod Mounting Thread
Type
Receiver Type
Creative Effects
Autofocus Sensitivity
Video I/O
USB/Lightning Connectivity
material
video quality
max load
maximum working height:
minimum working height
Video Output
Sound Field
degree
tripod self-envy:
wight tripod
Tripod Collar
extended height
Wireless Technology
Still Image Capture Aspect Ratio
Minimum Aperture
load
remote battrey
weight
LED light: