Samyang Cine V-AF 20mm T1.9 FE Lens (Sony E)
34,500 EGP

- 20mm T1.9 Cinema Lens with Autofocus
- Supports Sensors up to 8K
- Compact & Lightweight for Gimbals/Drones
- LED Tally Lamp on Front
- Custom Function Switch for Focus Save
- 94.5° AOV, Full-Frame Coverage
- Multilayer Coating to Reduce Flare
- Accessory Options for Front of Lens
- 7.5″ Minimum Focus Distance
Available on backorder
The Samyang Cine V-AF 20mm T1.9 FE Lens is a powerful ultra-wide-angle prime lens designed for Sony E-mount cameras. With its bright T1.9 aperture, this lens excels in low-light conditions while producing a cinematic shallow depth of field. Whether you’re shooting films, documentaries, or vlogs, this lens ensures sharp, distortion-free visuals.
Key Features:
✔ 20mm Ultra-Wide Angle – Perfect for expansive landscapes and tight interiors.
✔ Fast T1.9 Aperture – Superb low-light performance and beautiful bokeh.
✔ Smooth Autofocus (AF) – Ideal for video recording and fast-moving scenes.
✔ Compact & Lightweight – Easy to handle for gimbal and handheld shooting.
✔ Cine-Styled Gear Rings – Compatible with follow focus systems.
Additionally, the lens features minimal focus breathing, ensuring smooth focus transitions. The 10-blade diaphragm creates natural bokeh, while the multi-coating reduces flares and ghosting.
For filmmakers seeking affordable cine-quality glass, this lens is a game-changer. Pair it with Sony’s full-frame or APS-C cameras for professional-grade results.
Why Choose This Lens?
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Versatile for both video and photography
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Durable metal build for long-term use
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Great value compared to high-end cine lenses
Upgrade your gear with the Samyang Cine V-AF 20mm T1.9 and capture stunning visuals effortlessly!
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- Focal Length & Maximum Aperture: 35mm f/1.4
- Subwavelength Coating (SWC) helps significantly reduce lens ghosting and flare.Lens Construction: 14 elements in 11 groups
- Diagonal Angle of View: 63°
- Focus Adjustment: AF with full-time manual
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- Filter Size: 2.8 in./72mm diameter
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- Focal Length & Maximum Aperture: 50mm f/1.8
- Lens Construction: 6 elements in 5 groups
- Diagonal Angle of View: 46°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 1.15 ft. / 0.35m
- Filter Size: 49mm
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- One Super UD Element, One UD Element
- Two Aspherical Elements
- Air Sphere and Fluorine Coatings
- Dual Nano USM AF System
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- Customizable Control Ring
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The AF-S NIKKOR 35mm F/1.8G ED integrates the precise AF systems of our D-SLR cameras. The lens has Silent Wave Motor technology that works quickly and quietly; Which makes it ideal for shooting video clips. The manual focus ring allows precise adjustments to be made to provide the right position for your shots.
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
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- Lightweight, fast, and affordable—the Sony FE 50mm f/1.8 delivers beautiful bokeh and crisp detail for portraits, everyday shots, and low-light moments.
Brand Nikon
Lens Type Standard
Compatible Mountings Nikon FX
Camera Lens Description 50 millimetres
Maximum Focal Length 50 Millimeters
Out of stock
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Type
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Type G AF-S DX lens with built-in CPU and F mount
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Focal length
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18-140 mm
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Maximum aperture
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f/3.5-5.6
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Minimum aperture
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f/22-38
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Lens construction
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17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element)
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Angle of view
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76° – 11°30′
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Focusing
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Nikon Internal Focusing (IF) System with autofocus controlled by Silent Wave Motor and separate focus ring for manual focus
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Available on backorder
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