Samyang Cine V-AF 35mm T1.9 FE Lens (Sony E-Mount)
32,500 EGP

- 35mm T1.9 Cinema Lens with Autofocus
- Supports Sensors up to 8K
- Compact & Lightweight for Gimbals/Drones
- LED Tally lamp on Front
- Custom Function Switch for Focus Save
- 63.6° AOV, Full-Frame Coverage
- Multilayer Coating to Reduce Flare
- 58mm Filter Thread
- Accessory Options for Front of Lens
- 7.48″ Minimum Focus Distance
Available on backorder
The Samyang Cine V-AF 35mm T1.9 FE Lens is a high-performance cine prime lens designed for Sony E-mount cameras. With its ultra-wide T1.9 aperture, it captures sharp, cinematic footage even in low-light conditions. The Samyang Cine 35mm T1.9 offers a versatile focal length for filmmakers. Additionally, this lens provides smooth autofocus, making it ideal for both video and photography.
Key Features:
✔ T1.9 Aperture – Excellent low-light performance & shallow depth of field.
✔ Cine-Styled Gear Rings – Perfect for follow focus systems.
✔ Compact & Lightweight – Easy to handle for long shooting sessions.
✔ Autofocus & Manual Focus – Versatile control for different shooting styles.
Moreover, the 35mm focal length offers a natural perspective, great for storytelling, and is a key selling point for the Samyang Cine 35mm T1.9. Whether you’re shooting short films, documentaries, or portraits, this lens delivers rich colors and high contrast. The 11-blade diaphragm ensures smooth, cinematic bokeh, enhancing your creative vision.
Furthermore, the durable build ensures reliability in various shooting environments. Samyang Cine 35mm T1.9 lenses, being compatible with Sony E-mount cameras, are a must-have for filmmakers using Sony A7, A9, or FX series. Upgrade your gear with this affordable cine lens that rivals high-end competitors.
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- Focal Length & Maximum Aperture: 50mm f/1.8
- Lens Construction: 6 elements in 5 groups
- Diagonal Angle of View: 46°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 1.15 ft. / 0.35m
- Filter Size: 49mm
- Max. Diameter x Length, Weight: Approx. 2.7 x 1.5 in. / 69.2 x 39.3mm, Approx. 5.6 oz. / 159g
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.2 to f/16
- One UD Element, One Aspherical Element
- Ring-Type Ultrasonic Motor AF System
- Customizable Control Ring
- Rounded 10-Blade Diaphragm
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- Brand: Nikkor
- Compatible with: Cameras
- Interchangeable Lense Type: SLR Lenses
- External Product ID: 18208021376
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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