Samyang Cine EF 100mm T2.3 FE Lens (E Mount)
30,750 EGP

- 100mm T2.3 Cinema Lens with Autofocus
- Supports Sensors up to 8K
- Compact & Lightweight for Gimbals/Drones
- LED Tally Lamp on Front
- Custom Function Switch for Focus Save
- 25.4° AOV, Full-Frame Coverage
- Multilayer Coating to Reduce Flare
- 58mm Filter Thread
- Accessory Options for Front of Lens
- 2.3′ Minimum Focus Distance
Available on backorder
The Samyang Cine EF 100mm T2.3 FE Lens is a must-have for professional videographers. With its fast T2.3 aperture, it excels in low-light conditions while maintaining sharpness. Additionally, the E-mount compatibility ensures seamless integration with Sony cameras, similar to the flexibility offered by the Samyang Cine 100mm T2.3 lens.
Key Features:
✔ T2.3 Aperture – Ideal for cinematic depth and bokeh effects.
✔ Full Manual Focus – Precise control for filmmakers.
✔ Durable Build – Robust metal construction for long-term use.
✔ Minimal Distortion – Ensures accurate image reproduction, similar to the capabilities of the Samyang Cine 100mm T2.3.
Furthermore, the Samyang Cine 100mm T2.3 lens provides smooth focus transitions, making it perfect for interviews and narrative films. Its lightweight design enhances portability without sacrificing performance. Whether shooting short films, documentaries, or commercials, this lens delivers outstanding results.
Moreover, the 11-blade aperture diaphragm of the Samyang Cine 100mm T2.3 creates beautiful background blur. The 100mm focal length is ideal for portraits and close-up shots. Finally, its affordable price makes it a great alternative to high-end cine lenses.
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Type
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Type G AF-S DX lens with built-in CPU and F mount
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Focal length
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18-140 mm
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Maximum aperture
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f/3.5-5.6
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Minimum aperture
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f/22-38
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Lens construction
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17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element)
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Angle of view
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76° – 11°30′
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Focusing
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Nikon Internal Focusing (IF) System with autofocus controlled by Silent Wave Motor and separate focus ring for manual focus
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Available on backorder
Out of stock
- Focal Length & Maximum Aperture: 35mm f/1.4
- Subwavelength Coating (SWC) helps significantly reduce lens ghosting and flare.Lens Construction: 14 elements in 11 groups
- Diagonal Angle of View: 63°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 0.92 ft./0.28m. Increased maximum magnification (0.21x) help expand the range of expression, especially when capturing close-up subjects
- Filter Size: 2.8 in./72mm diameter
- Max. Diameter x Length, Weight: 3.2 x 4.2 in., approx. 26.8 oz. / 80.4 x 105.5mm, approx. 760g
Out of stock
Part of the L-series range of Canon EF lenses, the 100mm f/2.8 Macro has a magnification ratio of 1:1 and features advanced Image Stabilisation (IS).
Well suited to both stills and cinematography applications, the Canon 100mm macro is a popular choice for close-up and portrait work. We can supply the lens with a range of mount adapters to make is compatible with cameras such as the
Out of stock
For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
Out of stock
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Fluorite Element & Five UD Elements
- Air Sphere Coating
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Internal Focus, Focus Range Limiter
- Weather-Sealed Design, Fluorine Coating
- Detachable, Rotatable Tripod Collar
- Rounded 8-Blade Diaphragm
Out of stock
Out of stock
- Lightweight, fast, and affordable—the Sony FE 50mm f/1.8 delivers beautiful bokeh and crisp detail for portraits, everyday shots, and low-light moments.
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Three Ultra-Low Dispersion Elements
- Air Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
Out of stock
- The Canon RF 35mm F1.8 IS STM Macro Lens is a versatile prime lens for full-frame mirrorless cameras, offering a natural 35mm perspective, fast F1.8 aperture, Hybrid IS, and 0.5x macro capability. Perfect for portraits, low-light photography, and close-up shots.
1 in stock
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