Sigma 105mm f/1.4 DG HSM Art Lens for Canon EF

- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- Three FLD Elements, Two SLD Elements
- One Aspherical Element
- Super Multi-Layer Coating
- Hyper Sonic AF Motor, Manual Override
- Weather-Sealed, Protective Front Coating
- Rounded 9-Blade Diaphragm
- Removable Rotating Arca-Type Tripod Foot
- Compatible with Sigma USB Dock
Sigma 105mm f/1.4 DG HSM Art Overview
The Sigma 105mm f/1.4 DG HSM Art Lens for Canon EF is a high-performance, short-telephoto prime lens. Designed for full-frame cameras, it excels in portraiture and creative photography. Its fast f/1.4 aperture allows for outstanding low-light performance and stunning bokeh effects, making it ideal for isolating subjects with selective focus.
Key Features:
- Fast f/1.4 Aperture:
- Excellent for low-light shooting and offers extensive control over depth of field.
- Advanced Optical Design:
- Features FLD and SLD glass elements to reduce chromatic aberrations and color fringing for greater clarity and color accuracy.
- One aspherical element minimizes distortion and spherical aberrations for improved sharpness.
- Coating:
- Super Multi-Layer Coating reduces lens flare and ghosting, improving contrast and color fidelity, even in bright lighting.
Performance & Build:
- Hyper Sonic Motor (HSM):
- Quick, smooth, and quiet autofocus performance with full-time manual focus override.
- Durable Build:
- Constructed with Thermally Stable Composite (TSC) material for precise performance in various environments.
- Brass bayonet mount ensures durability, and the lens is dust- and splash-resistant with a protective front coating.
- Tripod Collar:
- Removable Arca-type compatible tripod collar included for stable mounting and improved usability.
This lens is ideal for professional photographers seeking exceptional optical performance, especially in portrait and low-light situations.
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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