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Zhiyun didn’t stray too far away from the classic design of their popular CRANE 2, but made some needed improvements. These include a new 0.96-inch OLED screen makes it easier to navigate through the entire menu system and switch between modes in a pinch. All while the new, smaller and more ergonomic (and precise) focus knob makes it easier to grab focus (with compatible camera/lens combos).
Moreover, the new CRANE 2S comes loaded with multiple mounting points. And in addition, the Zhiyun TransMount Image transmitter can be mounted on the bottom of the quick release base without any screws, which can save you time.
Versatile Shooting Modes and Wireless Video
Furthermore, the new CRANE 2S comes packed with 6 creative gimbal modes including: Pan Follow, Locking, Follow, Full-Range POV, Vortex mode, and Go mode. In addition, users get the benefit of advanced cinematic effects such as Panorama, Timelapse, Motionlapse, and Long Exposure Timelapse.
For sending a wireless video signal to a monitor or smartphone/tablet the Zhiyun TransMount ecosystem offers plenty of versatility.
The CRANE 2S uses three removable 18650 Li-ion batteries, which should last you for a full production day (12-hour runtime) according to Zhiyun Tech.
| Light | |
|---|---|
| Lens Format Coverage | |
| Audio Recording | |
| Autofocus Points | |
| Channels | |
| Angle of View | |
| Battery | |
| Battery Type | |
| Bit Depth | |
| Brand | |
| Colour Map | |
| Brand Name | |
| Built-In Flash/Light | |
| Exposure Modes | |
| Autofocus Sensitivity | |
| Eye Point | |
| Max Operating Range | |
| Interval Recording | |
| Audio I/O | |
| Aspect Ratio | |
| Bit Rate | |
| Display Type | |
| Compatible devices | |
| Continuous Shooting | |
| Crop Factor | |
| Built-In ND Filter | |
| Ball head | |
| Designed for | |
| Dimensions | |
| color | |
| Approx. Battery Life | |
| Dynamic Range | |
| Exposure Compensation | |
| Capacity | |
| Bulb/Time Mode | |
| External Recording Modes | |
| Dedicated Flash System | |
| Built-In Microphone Type | |
| Item Weight | |
| Diversity | |
| Audio Format | |
| Filter Size | |
| Gain Range | |
| IP Streaming | |
| Gamma Curve | |
| ISO Sensitivity | |
| Image File Format | |
| Image Sensor | |
| Image Sizes | |
| Fixed Focus | |
| Image Stabilization | |
| Focal Length | |
| wirless | |
| .Guide number | |
| S1/S2 transmission: | |
| .Operating temperature | |
| Cover angle: cover light of 24mm lens Recycle time | |
| Environmental Protection | |
| Fast-/Slow-Motion Support | |
| Frequency Range | |
| Included Transmitters | |
| Inputs/Outputs | |
| Lens Mount | |
| Load Capacity | |
| Inputs | |
| Maximum Aperture | |
| Maximum Weight Recommendation | |
| Media/Memory Card Slot | |
| Metering Method | |
| Internal Battery Capacity | |
| Follow Speed | |
| Internal Filter Holder | |
| Internal Recording Modes | |
| Material of Construction | |
| Gross Weight | |
| Frequency Response | |
| Focus Mode | |
| Focus Type | |
| Lens Communication | |
| Clamping | |
| tripod self-envy: | |
| material | |
| Mobile App Compatible | |
| Model | |
| Model Name | |
| Monitor size | |
| Mounting Options | |
| Sensor | |
| Slow Motion Mode | |
| Product Dimensions | |
| Advertised Dynamic Range | |
| Optical Design | |
| Other I/O | |
| Outputs | |
| Package Dimensions | |
| Package Weight | |
| Polar Pattern | |
| Receiver Type | |
| Number of Pixels (Effective) | |
| Screen Size | |
| Number of Pixels (total) | |
| Network I/O | |
| Adjustable Length | |
| Self-Timer | |
| Recording Limit | |
| Resolution | |
| Rotation Range | |
| SNR | |
| Shutter Type | |
| Capture Type | |
| Recording Format | |
| Recharge Time | |
| Sensor Crop Modes | |
| Sensor Resolution | |
| Sensor type | |
| Shooting Modes | |
| Shutter Speed | |
| Sampling Frequency | |
| Power I/O | |
| Sensitivity | |
| Number of Axes | |
| Wireless Frequency | |
| Wireless Protocol | |
| Waterproof | |
| Still Image Support | |
| Volume Weight | |
| White Balance Modes | |
| weight | |
| Wireless | |
| Minimum Focus Distance | |
| Video I/O | |
| Microphone Type | |
| Tripod Mounting Thread | |
| Type | |
| USB/Lightning Connectivity | |
| Size | |
| Creative Effects | |
| Metering Range | |
| Viewfinder Type | |
| Video Format | |
| max load | |
| wight tripod | |
| maximum working height: | |
| minimum working height | |
| Video Output | |
| Sound Field | |
| remote battrey | |
| degree | |
| video quality | |
| extended height | |
| Tripod Collar | |
| Wireless Technology | |
| Still Image Capture Aspect Ratio | |
| Minimum Aperture | |
| load | |
| main material | |
| time Video | |
| White Balance | |
| LED light: |
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Description
The WEEBILL-S Image Transmission Pro Package from Zhiyun-Tech includes the WEEBILL-S gimbal with everything it normally comes with, plus a wireless video transmitter, a lens motor, a smartphone holder, and HDMI cables for your image transmission workflow.
The wireless video transmitter is very compact and attaches under the camera on the gimbal. It connects to the camera using included cables. It pairs with the gimbal and camera and allows you to wirelessly transmit video to up to three TransMount receivers, sold separately. It accepts up to a 1080p60 resolution signal and sends 1080p30 up to 328′ to the receivers over Wi-Fi. Using the included USB camera control cables, the transmitter is capable of pairing with select Canon, Nikon, Panasonic, and Sony cameras.
The TransMount Max lens motor has the torque to control focus or zoom and can be lined up to either lens gear interchangeably. It can be operated using the gimbal handwheel or the companion iOS/Android app. The TransMount Phone Holder mounts on the side of the gimbal and gives you convenient access to the companion app. It holds phones up to 6.3″ wide (when the phone is held in landscape orientation), and it can be articulated forward/backward as well as folded when not in use.
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