Convert your Samyang V-AF cine lens into an anamorphic with the V-AF 1.7x Anamorphic MF Adapter. The adapter features a 1.7x anamorphic squeeze ratio and electronic contacts that communicate with your compatible lens. A T1.9 aperture ensures effective low-light capture and amber flaring provides a natural aesthetic to the Convert your Samyang V-AF cine lens into an anamorphic with the V-AF 1.7x Anamorphic MF Adapter. The adapter features a 1.7x anamorphic squeeze ratio and electronic contacts that communicate with your compatible lens. A T1.9 aperture ensures effective low-light capture and amber flaring provides a natural aesthetic to the soft, oval bokeh of the lens. Turn on soft focus mode to create a soft blur in your videos for a dreamy atmosphere. The adapter has a manual focusing ring with a total rotation of 270° to focus on items as close as 2.3″ away. An LED tally lamp at the front and mount index makes checking your recording status a breeze, especially when filming in close quarters with lots of equipment.
Samyang V-AF 1.7x Anamorphic MF Adapter
46,000 EGP
- 1.7x Anamorphic Squeeze Factor
- For V-AF Series Cine Lenses
- Electronic Contacts, Soft Focus Mode
- T1.9 Aperture, Amber Flares
- 2.3″ Minimum Focusing Distance
- 270° Focus Rotation
- LED Tally Lamp
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Canon EF 8-15mm f/4L Fisheye USM
For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
Sigma 85mm F1.4 DG HSM Art Lens for Canon EF – Premium Portrait Lens
- Capture stunning portraits with the Sigma 85mm F1.4 DG HSM Art Lens for Canon. Enjoy ultra-sharp images, creamy bokeh, and exceptional low-light performance. Perfect for professional photographers.
Lens Sigma 35mm f1.4 DG For Sony
Description
The Sigma 35mm f1.4 DG HSM Art Lens for Sony A is a large aperture prime lens housed in a stylish body. This lens is engineered for full frame cameras but is also compatible with APS-C sensors.
It is equipped with the latest technologies including a Hyper Sonic Motor (HSM) that ensures fast and silent autofocusing, a floating internal focusing system that delivers superb optical performance at close range shooting, and Special Low Dispersion (SLD)/”F” Low Dispersion (FLD) glass elements which assist in correcting axial and chromatic aberration.
The wide aperture performs magnificently in low-light scenarios and is also ideal for creating beautifully blurred backgrounds. This versatile prime lens is well deserving of a place in any photographer’s kit.
Sigma 35mm f1.4 DG HSM Art Lens for Sony A Features:
As part of the Art line within Sigma’s Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications.
Wide-angle prime is designed for full-frame-format Sony A-mount cameras, however is also suitable for APS-C models where it provides a 52.5mm equivalent focal length.
Impressively bright f/1.4 maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field techniques.
One F Low Dispersion (FLD) element and four Special Low Dispersion (SLD) elements are featured in the optical design, and help to reduce color fringing and chromatic aberrations for improved clarity and colour accuracy.
Two aspherical elements are used to help limit distortion and spherical aberrations and also contributes to greater overall sharpness and accurate rendering.
Floating elements system helps to realise consistent optical performance throughout the focusing range, from 11.8″ to infinity.
A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
The integrated HSM (Hyper Sonic Motor) realizes quick and quiet autofocusing, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time.
The bayonet mount is constructed from brass for ensured accuracy and durability. Additionally, rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.
Canon RF 15-35MM F2.8L IS USM
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Two Ultra-Low Dispersion Elements
- Air-Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
FUJIFILM XF 16-55mm f/2.8 R LM WR II Lens
- APS-C | f/2.8 to f/22
- 24-84mm (Full-Frame Equivalent)
- Bright, Sharp & Versatile Zoom Lens
- De-clickable Aperture Ring
- Super ED and Aspherical Elements
- Fluorine Coating
- Weather-Sealed Construction
- 11-Blade Diaphragm
Nikon AF-P NIKKOR 70-300mm f4.5-5.6E ED VR Lens
- F-Mount Lens/Full-Frame Format
- Aperture Range: f/4.5 to f/40
- One Extra-Low Dispersion Element
- Super Integrated Coating
- Pulse Stepping Motor AF System
- VR Image Stabilization
- Electromagnetic Diaphragm Mechanism
- Rounded 9-Blade Diaphragm
FUJIFILM XF 35mm f/1.4 R Lens
- X-Mount Lens/APS-C Format
- 53mm (35mm Equivalent)
- Aperture Range: f/1.4 to f/16
- One Aspherical Element
- Super EBC Coating
- Rounded 7-Blade Diaphragm
Canon EF 50mm f/1.2L USM
The EF 50mm f/1.2L USM Lens from Canon is a fast prime lens featuring a particularly large maximum aperture for effective low-light and shallow depth of field capability. As a standard focal length lens, it is suitable for most any shooting situation and its lens coating and optical construction are optimized to minimize chromatic aberrations, ghosting and flare
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GoPro HERO10 Rechargeable Camera Battery compatible
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Lantern Softbox (65CM & 85CM)
Key Features
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- Popular Bowens Mount
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Sony α6400 Body with 16-50mm
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- Real-time Tracking and Real-time Eye AF, to detect and hold onto moving subjects
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كاميرا FujFilm IQ&T Sports Camera Q3H BK +(Full Kit)
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- لون أسود
- حجم الشاشة: 2 انش
- ميغابيكسل: 16 ميجابيكسل
- نسبة التكبير البصري: أخرى
- نوع العرض: ال سي دي
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RODE Interview GO Handheld Mic Adapter for the Wireless GO
Turn your Wireless GO Transmitter into a handheld microphone with the RODE Interview GO. Once the transmitter is slotted snugly into the Wireless GO’s cradle, the adapter will give you the sound and appearance of a handheld microphone.
The Interview GO comprises an adapter and a windshield. Simply slip your Wireless GO transmitter into the adapter, and fit the windshield over the transmitter. Use this adapter in any situation where your Wireless GO would benefit from the look and easy functionality of a handheld microphone, such as on-camera interviews, walking a convention floor, and other ENG scenarios.
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