Samyang AF 75mm f/1.8 FE Lens for Sony E
19,250 EGP

- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.8 to f/22
- Three Extra-Low Dispersion Elements
- Two High Refractive Index Elements
- Ultra Multi-Coating
- Linear STM AF Motor, MF Override
- Custom Switch
- Rounded 9-Blade Diaphragm
Available on backorder
A unique short-telephoto lens well-suited for portraiture, the Samyang AF 75mm f/1.8 FE is a Sony E-mount prime characterized by its distinct focal length, compact design, and bright f/1.8 maximum aperture. The optical design incorporates a three extra-low dispersion elements and a pair of high refractive index elements, which help to suppress both chromatic and spherical aberrations for improved sharpness, color accuracy, and clarity. An Ultra Multi-Coating has also been applied to reduce flare and ghosting in order to achieve higher contrast when working in strong lighting conditions. The lens’s linear STM autofocus motor works in conjunction with Sony cameras’ AF systems for quick, quiet, and precise focusing performance, and manual focus override is also available for more refined control. Additionally, a Custom Switch enables making intuitive adjustments of a variety of camera and exposure settings by rotating the lens’s focusing ring.
| 5 |
|
0 |
| 4 |
|
0 |
| 3 |
|
0 |
| 2 |
|
0 |
| 1 |
|
0 |
- Benq
- BESTON
- BOYA
- CAME-TV
- Camelion
- Canon
- Comica
- DJI
- Easy Cover
- Eirmai
- Elfakharany Digital
- Energizer
- Falcam
- FANCIER
- FB
- FeiyuTech
- FOG
- FujiFilm
- General
- Genpro
- Godox
- Gopro
- Hollyland
- Huawei
- Insta360
- IQ&T
- ITECH
- Jackar
- Jmary
- Joby
- Joop
- K&F
- LENSGO
- Lexar
- Lilliput
- Mamen
- Manfrotto
- Marantz
- MCOPLUS
- Meike
- Nanlite
- Neewer
- Nest
- Nikon
- Nitecore
- Olympus
- Panasonic
- Penflex
- Pisen
- PROEL
- QC
- RØDE
- Samyang
- SanDisk
- Saramonic
- Sennheiser
- Sigma
- SmallRig
- Sony
- Tamron
- TELESIN
- Tolifo
- Triopo
- Ulanzi
- Varta
- Viltrox
- Visico
- Weifeng
- Yongnuo
- Zhiyun
- Zoom
Related Products
The EF 100mm f/2.8L Macro IS USM Lens from Canon is the L-series version of Canon’s popular 100mm Macro lens. As an L-series lens it offers the utmost in optical construction, including ultra-low dispersion lens elements and moisture and dustproof seal structure on the barrel. Its 100mm focal length is effective for portraiture and other telephoto applications and as a macro lens with 1:1 magnification and a 12″ minimum focus distance, it is ideal for life-size close-up imaging.
Out of stock
For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
Out of stock
- EF-S-Mount Lens/APS-C Format
- 38.4mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- One Aspherical Element
- Super Spectra Coating
- STM Stepping AF Motor
- Rounded 7-Blade Diaphragm
Out of stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Super UD Element, One UD Element
- Two Aspherical Elements
- Air Sphere and Fluorine Coatings
- Dual Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Detachable, Rotatable Tripod Collar
- Rounded 9-Blade Diaphragm
Out of stock
The AF-S NIKKOR 35mm F/1.8G ED integrates the precise AF systems of our D-SLR cameras. The lens has Silent Wave Motor technology that works quickly and quietly; Which makes it ideal for shooting video clips. The manual focus ring allows precise adjustments to be made to provide the right position for your shots.
Out of stock
Part of the L-series range of Canon EF lenses, the 100mm f/2.8 Macro has a magnification ratio of 1:1 and features advanced Image Stabilisation (IS).
Well suited to both stills and cinematography applications, the Canon 100mm macro is a popular choice for close-up and portrait work. We can supply the lens with a range of mount adapters to make is compatible with cameras such as the
Out of stock
The EF 50mm f/1.2L USM Lens from Canon is a fast prime lens featuring a particularly large maximum aperture for effective low-light and shallow depth of field capability. As a standard focal length lens, it is suitable for most any shooting situation and its lens coating and optical construction are optimized to minimize chromatic aberrations, ghosting and flare
Out of stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2 to f/22
- Ultra-Low Dispersion Elements
- Ring-Type Ultrasonic Motor AF System
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
Out of stock
- The Canon RF 35mm F1.8 IS STM Macro Lens is a versatile prime lens for full-frame mirrorless cameras, offering a natural 35mm perspective, fast F1.8 aperture, Hybrid IS, and 0.5x macro capability. Perfect for portraits, low-light photography, and close-up shots.
1 in stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Two Ultra-Low Dispersion Elements
- Air-Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
Out of stock



























Reviews
There are no reviews yet.