Combining a wide-angle perspective with a fast maximum aperture, this 24mm f/1.8 AF Compact Autofocus Lens from Samyang is designed for full-frame Sony E-mount mirrorless cameras and provides a 36mm equivalent focal length when used on an APS-C camera body. Two extra-low dispersion elements, three high refractive index elements, and two aspherical elements are incorporated into the lens construction to help to control aberrations and distortions for increased clarity and sharpness. Ultra Multi-Coating has also been applied to all lens elements to reduce lens flare and ghosting for increased contrast and color fidelity. The bright f/1.8 maximum aperture excels in difficult lighting conditions and enables greater control over depth of field and focus placement. The Linear STM autofocus motor provides fast, quiet focus, and the lens barrel incorporates a custom function switch and a focus hold button for optimal focus control. The nine-blade diaphragm to produce a quality of bokeh.
Samyang 24mm f/1.8 AF Compact Lens for Sony E
22,999 EGP
- E-Mount Lens / Full-Frame Format
- Aperture Range: f/1.8 to f/22
- 2 ASPH, 3 HR Index, and 2 ED Elements
- UMC Ultra Multi-Coating
- Linear STM Autofocus Motor
- Minimum Focus Distance: 7.48″
- Weather-Sealed Construction
- Filter Size: 58mm
- 9-Blade Diaphragm
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Canon EF 50mm f/1.8 STM Lens
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
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Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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Description
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The wide aperture performs magnificently in low-light scenarios and is also ideal for creating beautifully blurred backgrounds. This versatile prime lens is well deserving of a place in any photographer’s kit.
Sigma 35mm f1.4 DG HSM Art Lens for Sony A Features:
As part of the Art line within Sigma’s Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications.
Wide-angle prime is designed for full-frame-format Sony A-mount cameras, however is also suitable for APS-C models where it provides a 52.5mm equivalent focal length.
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One F Low Dispersion (FLD) element and four Special Low Dispersion (SLD) elements are featured in the optical design, and help to reduce color fringing and chromatic aberrations for improved clarity and colour accuracy.
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Floating elements system helps to realise consistent optical performance throughout the focusing range, from 11.8″ to infinity.
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