Equivalent to 15-36 mm (35mm format) – angle of view: 110° – 61.2°
Minimum working distance of 0.24 m, Focal Length : 10-24 mm
Constant f:4 aperture throughout entire zoom range, OIS (built-in Optical Image Stabilisation)
14 elements in 10 groups (includes 4 aspherical and 4 extra low dispersion elements)
Internal focussing and zoom – lens extension and length remains constant throughout zoom range
FUJIFILM LENS XF10-24MM F4 R OIS
Equivalent to 15-36 mm (35mm format) – angle of view: 110° – 61.2°
Minimum working distance of 0.24 m, Focal Length : 10-24 mm
Constant f:4 aperture throughout entire zoom range, OIS (built-in Optical Image Stabilisation)
14 elements in 10 groups (includes 4 aspherical and 4 extra low dispersion elements)
Internal focussing and zoom – lens extension and length remains constant throughout zoom range
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
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Lens Sigma 35mm f1.4 DG For Sony
Description
The Sigma 35mm f1.4 DG HSM Art Lens for Sony A is a large aperture prime lens housed in a stylish body. This lens is engineered for full frame cameras but is also compatible with APS-C sensors.
It is equipped with the latest technologies including a Hyper Sonic Motor (HSM) that ensures fast and silent autofocusing, a floating internal focusing system that delivers superb optical performance at close range shooting, and Special Low Dispersion (SLD)/”F” Low Dispersion (FLD) glass elements which assist in correcting axial and chromatic aberration.
The wide aperture performs magnificently in low-light scenarios and is also ideal for creating beautifully blurred backgrounds. This versatile prime lens is well deserving of a place in any photographer’s kit.
Sigma 35mm f1.4 DG HSM Art Lens for Sony A Features:
As part of the Art line within Sigma’s Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications.
Wide-angle prime is designed for full-frame-format Sony A-mount cameras, however is also suitable for APS-C models where it provides a 52.5mm equivalent focal length.
Impressively bright f/1.4 maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field techniques.
One F Low Dispersion (FLD) element and four Special Low Dispersion (SLD) elements are featured in the optical design, and help to reduce color fringing and chromatic aberrations for improved clarity and colour accuracy.
Two aspherical elements are used to help limit distortion and spherical aberrations and also contributes to greater overall sharpness and accurate rendering.
Floating elements system helps to realise consistent optical performance throughout the focusing range, from 11.8″ to infinity.
A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
The integrated HSM (Hyper Sonic Motor) realizes quick and quiet autofocusing, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time.
The bayonet mount is constructed from brass for ensured accuracy and durability. Additionally, rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.
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