Rode VideoMic Pro Rycote VMPR
The Rode VideoMic Pro Rycote VMPR is the improved version of the by many acclaimed VideoMic Pro. Seemingly the biggest change is the addition of the & nbsp; innovative Rycote Lyre-based shock mount. This system provided maximum isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. This system is already used successfully by Rode in the VideoMic and Blimp.
In addition, the capsule has been upgraded & nbsp; and has now even less self-noise than before (14 dB instead of 20 dB). The capsule has also become much more sensitive thanks to the new windshield that provides even better protection against external factors.
The VideoMic Pro is specially designed for the high demands of modern professional industry. The quality is getting higher all the time, but the camera itself gets more compact. Hence, this shotgun microphone has been given a light and compact design, thanks to its durable ABS construction. Despite this size, the VideoMic is still a large frequency response of 40 Hz – 20 kHz.
The Rode VideoMic is a standard stereo minijack connector (outputting the mono signal to both left and right channels), and a hot-shoe adapter, so he can be placed on almost all cameras. It is powered by a 9V (alkaline) battery with over 70 hours of use. The life of the battery can be read on the LED status indicator.
Features of the Rode VideoMic Pro Rycote VMPR
- Rycote Lyre shock mount system
- Renewed capsule is more sensitive and reduces noise
- Lightweight: 3 oz (85g)
- 9V batteries – more than 70 hours of use (alkaline)
- Integrated shock mount
- Integrated foam windscreen
- 1 x 1/8” (3.5) mm stereo mini-jack output connectors (dual mono)
- Two step High Pass Filter (flat, 80Hz)
- Three-position level control (-10 dB, 0, 20dB)
| Adjustable Length | |
|---|---|
| Light | |
| Autofocus Points | |
| Ball head | |
| Clamping | |
| Approx. Battery Life | |
| Battery Type | |
| Bit Depth | |
| Bit Rate | |
| Brand Name | |
| Compatible devices | |
| Built-In Flash/Light | |
| Exposure Modes | |
| Eye Point | |
| Angle of View | |
| Metering Range | |
| Max Operating Range | |
| Item Weight | |
| Audio Recording | |
| Audio Format | |
| Brand | |
| Diversity | |
| Continuous Shooting | |
| Crop Factor | |
| Bulb/Time Mode | |
| External Recording Modes | |
| Built-In Microphone Type | |
| Dimensions | |
| Display Type | |
| Colour Map | |
| Aspect Ratio | |
| Exposure Compensation | |
| Capacity | |
| Built-In ND Filter | |
| Dedicated Flash System | |
| Autofocus Sensitivity | |
| Designed for | |
| Battery | |
| Lens Communication | |
| Dynamic Range | |
| Audio I/O | |
| Filter Size | |
| Gain Range | |
| IP Streaming | |
| Gamma Curve | |
| ISO Sensitivity | |
| Image File Format | |
| Image Sensor | |
| Image Sizes | |
| Fixed Focus | |
| Image Stabilization | |
| Focal Length | |
| wirless | |
| .Guide number | |
| S1/S2 transmission: | |
| .Operating temperature | |
| Cover angle: cover light of 24mm lens Recycle time | |
| Environmental Protection | |
| Fast-/Slow-Motion Support | |
| Frequency Range | |
| Included Transmitters | |
| Inputs/Outputs | |
| Internal Battery Capacity | |
| Load Capacity | |
| Inputs | |
| Maximum Aperture | |
| Maximum Weight Recommendation | |
| Media/Memory Card Slot | |
| Metering Method | |
| Internal Filter Holder | |
| Follow Speed | |
| Internal Recording Modes | |
| Interval Recording | |
| Material of Construction | |
| Gross Weight | |
| Frequency Response | |
| Focus Mode | |
| Focus Type | |
| Lens Format Coverage | |
| color | |
| video quality | |
| max load | |
| Model | |
| Model Name | |
| Monitor size | |
| Mounting Options | |
| Network I/O | |
| Self-Timer | |
| Number of Pixels (Effective) | |
| Optical Design | |
| Creative Effects | |
| Other I/O | |
| Outputs | |
| Package Dimensions | |
| Package Weight | |
| Polar Pattern | |
| Power I/O | |
| Slow Motion Mode | |
| Mobile App Compatible | |
| Recharge Time | |
| Product Dimensions | |
| Number of Axes | |
| Recording Limit | |
| Resolution | |
| Rotation Range | |
| SNR | |
| Sampling Frequency | |
| Screen Size | |
| Recording Format | |
| Channels | |
| Receiver Type | |
| Sensor Crop Modes | |
| Sensor Resolution | |
| Sensor type | |
| Shooting Modes | |
| Shutter Speed | |
| Shutter Type | |
| Sensitivity | |
| Size | |
| Sensor | |
| Number of Pixels (total) | |
| Minimum Focus Distance | |
| Volume Weight | |
| weight | |
| Tripod Collar | |
| Waterproof | |
| Wireless | |
| White Balance | |
| Wireless Frequency | |
| Microphone Type | |
| Viewfinder Type | |
| Advertised Dynamic Range | |
| Type | |
| USB/Lightning Connectivity | |
| Video Format | |
| Sound Field | |
| Capture Type | |
| Lens Mount | |
| Wireless Protocol | |
| Video I/O | |
| maximum working height: | |
| extended height | |
| minimum working height | |
| degree | |
| Still Image Support | |
| Minimum Aperture | |
| time Video | |
| remote battrey | |
| wight tripod | |
| Wireless Technology | |
| Tripod Mounting Thread | |
| Still Image Capture Aspect Ratio | |
| Video Output | |
| load | |
| main material | |
| material | |
| tripod self-envy: | |
| White Balance Modes | |
| LED light: |
| 5 | 0 | |
| 4 | 0 | |
| 3 | 0 | |
| 2 | 0 | |
| 1 | 0 |
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“The VideoMic Pro is a new benchmark in on-camera microphones,” comments Damien Wilson, RØDE and Freedman Group CEO. “We have listened to our customers and are delivering the microphone they’ve asked for, with features such as the built-in battery door, automatic power function and included Lithium-Ion Battery.”
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