Rode VideoMic GO Camera-Mount Shotgun Microphone

Brand: 
Rode Logo
RØDE
  • Mobile Journalist, Vlogger, Run & Gun
  • For Cameras and Portable Recorders
  • Runs on Plug-In Power
  • Simple Operation with No Controls
  • 3.5mm TRS Output Jack
  • Detachable Coiled 3.5mm Cable
  • Compact and Lightweight
  • Windscreen Reduces Wind Noise
  • Integrated Shoe/Pole Shockmount
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SKU: 1616 Category:  Brand:

Rode VideoMic GO Camera-Mount Shotgun Microphone

Longer than Rode’s VideoMicro and with a narrower pickup pattern,

the Rode VideoMic GO camera-mount shotgun microphone offers enhanced off-axis rejection for tighter directionality.

Like the VideoMicro, it runs on plug-in power and has no controls or switches,

making it well suited for mobile journalists,

vloggers, and run-and-gun shooters in a hurry.

This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your DSLR,

mirrorless, or video camera and reduces noise from vibrations and camera handling.

Also The windscreen design reduces wind noise, making it well suited for outdoor shoots.

The detachable coiled 3.5mm TRS cable ensures easy hookup to your camera,

and the dual-mono output means that no channel selection is necessary on your recording device.

Shotgun Mic with Directional Sound Pickup
Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its active electronics and directional condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.
Easy Hookup to Camera
A detachable coiled 3.5mm cable is supplied for fast hookup to your camera. The cable is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your camera or portable recorder.
Runs on Plug-In Power
But No batteries are required to operate the VideoMic GO.
Just connect the microphone to your camera or recorder, enable plug-in power on the device, and forget about swapping or charging batteries.
Adjustable Length
Lens Communication
Autofocus Points
Ball head
Angle of View
Approx. Battery Life
Battery Type
Bit Depth
Bit Rate
Brand Name
Compatible devices
Built-In Flash/Light
Exposure Modes
Eye Point
Channels
Clamping
Load Capacity
Internal Recording Modes
Audio Recording
Audio Format
Brand
Diversity
Continuous Shooting
Crop Factor
Bulb/Time Mode
External Recording Modes
Metering Range
Dimensions
Display Type
Colour Map
Aspect Ratio
Exposure Compensation
Capacity
Built-In ND Filter
Dedicated Flash System
Autofocus Sensitivity
Lens Mount
Battery
Interval Recording
Dynamic Range
Audio I/O
Image Sensor
Image Stabilization
Gamma Curve
Fast-/Slow-Motion Support
Gross Weight
IP Streaming
ISO Sensitivity
Image File Format
Image Sizes
Follow Speed
Filter Size
wirless
.Guide number
S1/S2 transmission:
.Operating temperature
Cover angle: cover light of 24mm lens Recycle time
Environmental Protection
Frequency Range
Focus Type
Lens Format Coverage
Media/Memory Card Slot
Light
Included Transmitters
Inputs
Material of Construction
Max Operating Range
Maximum Aperture
Maximum Weight Recommendation
Metering Method
Focus Mode
Inputs/Outputs
Internal Filter Holder
Internal Battery Capacity
Gain Range
Frequency Response
Fixed Focus
Focal Length
Item Weight
color
time Video
main material
Model
Model Name
Monitor size
Mounting Options
Network I/O
Slow Motion Mode
Number of Pixels (Effective)
Optical Design
Recharge Time
Other I/O
Outputs
Package Dimensions
Package Weight
Polar Pattern
Power I/O
Creative Effects
Mobile App Compatible
Sound Field
Product Dimensions
Size
Recording Limit
Resolution
Rotation Range
SNR
Sampling Frequency
Screen Size
Recording Format
Designed for
Receiver Type
Sensor Crop Modes
Sensor Resolution
Sensor type
Shooting Modes
Shutter Speed
Shutter Type
Sensitivity
Self-Timer
Sensor
Number of Pixels (total)
Wireless
Viewfinder Type
Wireless Protocol
Volume Weight
weight
White Balance
Tripod Collar
White Balance Modes
Wireless Frequency
Video Format
Minimum Focus Distance
Microphone Type
Advertised Dynamic Range
Type
Number of Axes
Capture Type
Built-In Microphone Type
Video I/O
USB/Lightning Connectivity
material
video quality
max load
maximum working height:
minimum working height
degree
Still Image Support
remote battrey
tripod self-envy:
wight tripod
Tripod Mounting Thread
extended height
Wireless Technology
Still Image Capture Aspect Ratio
Video Output
load
Minimum Aperture
Waterproof
LED light:
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