Samyang 35-150mm f/2-2.8 AF Lens (Sony E)
70,000 EGP

- Full-Frame | f/2-2.8 to f/16-22
- Versatile All-in-One Zoom
- Three Custom Mode Switches
- Minimum Focusing Distance: 12.1″
- 9-Blade Diaphragm
- 2 ASP, 1 HB, 3 HR, 6 ED Elements
- Weather-Sealed Design
Available on backorder
Samyang 35-150mm f/2-2.8 AF Lens (Sony E Mount)
Unlock versatility and professional performance with the Samyang 35-150mm f/2-2.8 AF Lens, designed for Sony E-mount full-frame mirrorless cameras. This all-in-one zoom lens offers a fast aperture, smooth autofocus, and a flexible focal range—making it ideal for portraits, events, travel, and video production.
Key Features:
Versatile 35–150mm Zoom Range
Covers everything from wide environmental portraits to close-up telephoto shots, reducing the need to change lenses.Bright f/2–2.8 Aperture
Exceptional low-light performance and beautifully blurred backgrounds with creamy bokeh, even at longer focal lengths.Fast, Quiet Autofocus
Powered by a Linear STM motor for accurate and silent focusing—great for both stills and video.Custom Switch & Focus Hold Button
Programmable functions for personalized control, perfect for professional workflows.Premium Optical Design
Features 21 elements in 18 groups, including aspherical and high-refractive elements, along with Samyang’s Ultra Multi-Coating (UMC) for superb image clarity and reduced flare.Video-Friendly Design
Equipped with a de-clickable aperture ring and minimal focus breathing—ideal for filmmakers and content creators.
Specifications:
Focal Length: 35–150mm
Maximum Aperture: f/2–2.8
Mount: Sony E (Full Frame)
Autofocus: Yes (Linear STM Motor)
Optical Construction: 21 elements in 18 groups
Diaphragm Blades: 9
Minimum Focusing Distance: 0.33m (wide)
Filter Thread: 82mm
Weight: Approx. 1,230g
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Benefits
- Affordable telephoto zoom lens
- USM autofocus motor
- Super Spectra coatings
- Lightweight design
- 58mm filter size
- 1.5m closest focusing distance
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- Focal Length & Maximum Aperture: 50mm f/1.8
- Lens Construction: 6 elements in 5 groups
- Diagonal Angle of View: 46°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 1.15 ft. / 0.35m
- Filter Size: 49mm
- Max. Diameter x Length, Weight: Approx. 2.7 x 1.5 in. / 69.2 x 39.3mm, Approx. 5.6 oz. / 159g
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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Type G AF-S DX lens with built-in CPU and F mount
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Maximum aperture
f/3.5-5.6
Minimum aperture
f/22-38
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17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element)
Angle of view
76° – 11°30′
Focusing
Nikon Internal Focusing (IF) System with autofocus controlled by Silent Wave Motor and separate focus ring for manual focus
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- Optical Image Stabilizer
- Customizable Control Ring
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