Samyang AF 135mm f1.8 FE Lens for Sony E
42,250 EGP

Key features
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.8 to 22
- Three Extra-Low Dispersion Elements
- Ultra-Precision Aspherical Element
- Linear STM AF Motor
- Customizable Control Switch
- Minimum Focus Distance: 2.3′
- Filter Thread Diameter: 82mm
- 11-Blade Diaphragm
- Removable Lens Hood
Available on backorder
Samyang AF 135mm f/1.8 FE Lens for Sony E
The Samyang AF 135mm f/1.8 FE is a high-performance telephoto lens designed for Sony E-mount full-frame mirrorless cameras. With its fast aperture and superb sharpness, it’s a perfect choice for portraits, low-light scenes, and artistic photography.
Key Features:
✅ Beautiful Portraits
The 135mm focal length and wide f/1.8 aperture create stunning background blur, helping your subject stand out with clarity and depth.✅ Bright f/1.8 Aperture
Great for low-light environments and for shooting with natural light, even indoors or at night.✅ Fast & Silent Autofocus
The Linear STM motor ensures smooth, quick, and quiet focusing—ideal for both photos and video.✅ Excellent Image Quality
Advanced lens elements reduce distortion and color fringing for sharp, high-contrast images.✅ Professional Build
Weather-sealed design protects the lens from dust and light rain, making it reliable in challenging conditions.
Specifications:
Focal Length: 135mm
Maximum Aperture: f/1.8
Mount: Sony E (Full Frame)
Minimum Focus Distance: 0.69 m
Autofocus: Yes
Filter Size: 82mm
Weight: Approx. 772g
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- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Four Aspherical Elements
- Air Sphere and Fluorine Coatings
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Weather-Sealed Construction
- Rounded 10-Blade Diaphragm
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Brand Nikon
Lens Type Standard
Compatible Mountings Nikon FX
Camera Lens Description 50 millimetres
Maximum Focal Length 50 Millimeters
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
Out of stock
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Super UD Element, One UD Element
- Two Aspherical Elements
- Air Sphere and Fluorine Coatings
- Dual Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Detachable, Rotatable Tripod Collar
- Rounded 9-Blade Diaphragm
Out of stock
- L-series ultra-wide zoom lens with an impressive 11mm starting focal length
- Focal Length & Maximum Aperture: 11-24mm f/4, Closest Focusing Distance : 11 in. / 0.28m
- New optical design and the use of one Super UD element and one UD lens element
- Subwavelength Coating (SWC) and Air Sphere Coating (ASC), Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms
- Full-time manual focus allows manual focus adjustment while in AF Mode
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Three Ultra-Low Dispersion Elements
- Air Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
Out of stock
The EF 50mm f/1.2L USM Lens from Canon is a fast prime lens featuring a particularly large maximum aperture for effective low-light and shallow depth of field capability. As a standard focal length lens, it is suitable for most any shooting situation and its lens coating and optical construction are optimized to minimize chromatic aberrations, ghosting and flare
Out of stock
Type
Type G AF-S DX lens with built-in CPU and F mount
Focal length
18-140 mm
Maximum aperture
f/3.5-5.6
Minimum aperture
f/22-38
Lens construction
17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element)
Angle of view
76° – 11°30′
Focusing
Nikon Internal Focusing (IF) System with autofocus controlled by Silent Wave Motor and separate focus ring for manual focus
Available on backorder
Benefits
- Affordable telephoto zoom lens
- USM autofocus motor
- Super Spectra coatings
- Lightweight design
- 58mm filter size
- 1.5m closest focusing distance
Out of stock
- Capture stunning wide-angle shots with the Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens. Perfect for landscapes, architecture, and interiors, this lightweight lens features Image Stabilization and smooth STM autofocus for sharp, vibrant photos.
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- Lightweight, fast, and affordable—the Sony FE 50mm f/1.8 delivers beautiful bokeh and crisp detail for portraits, everyday shots, and low-light moments.
Out of stock
- Focal Length & Maximum Aperture: 35mm f/1.4
- Subwavelength Coating (SWC) helps significantly reduce lens ghosting and flare.Lens Construction: 14 elements in 11 groups
- Diagonal Angle of View: 63°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 0.92 ft./0.28m. Increased maximum magnification (0.21x) help expand the range of expression, especially when capturing close-up subjects
- Filter Size: 2.8 in./72mm diameter
- Max. Diameter x Length, Weight: 3.2 x 4.2 in., approx. 26.8 oz. / 80.4 x 105.5mm, approx. 760g
Out of stock
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