Kenko UV Filter 58MM
Product Highlights
- Use with any lens, with no loss of light. The REALPRO Protector uses an ultra-thin frame to avoid vignetting effects on wide and super-wide angle lenses.
- The frame of the REALPRO Protector is equipped with a knurling surface to prevent slipping, making attachment and removal easy and stress-free.
- The satin finish increases friction between fingers and frame for quick operation, while the satin black minimises internal reflections.
- To reduce the internal light reflections off the edge of the filter glass, Kenko uses black-rimmed glass.
- Every REALPRO filter comes with durable, reusable plastic case with UV-Cut protection, lengthening the life of the filter by shielding it from UV rays.
The Kenko 58mm Real Pro MC UV Filter is a two-purpose filter. Its principal function is to cut out UV light,
which is the main cause of hazy photos on sunny days, however it also serves as a front-mounted
lens protector that may just save your lens’ front element from serious damage. Kenko’s Anti-Stain Coating repels moisture and makes the filter easy to clean, while Anti-Reflection Multi Coating provides superior
light transmission to prevent flare and ghosting.
The REALPRO UV is a multi-purpose, fine-weather filter that blocks UV light,
which is the main cause of unclear and hazy photos on sunny days. The REALPRO UV filter adopts UV-CUT glass, which blocks unwanted UV spectrum rays before light fully passes through the filter. This type of glass has a slight yellow tint, but this causes no negative effect on the image. The REALPRO UV filter also serves as a permanent lens protector.
| Adjustable Length | |
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| Lens Communication | |
| Autofocus Points | |
| Ball head | |
| Angle of View | |
| Approx. Battery Life | |
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| Brand Name | |
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| Built-In Flash/Light | |
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| Eye Point | |
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| Clamping | |
| Load Capacity | |
| Internal Recording Modes | |
| Audio Recording | |
| Audio Format | |
| Brand | |
| Diversity | |
| Continuous Shooting | |
| Crop Factor | |
| Bulb/Time Mode | |
| External Recording Modes | |
| Metering Range | |
| Dimensions | |
| Display Type | |
| Colour Map | |
| Aspect Ratio | |
| Exposure Compensation | |
| Capacity | |
| Built-In ND Filter | |
| Dedicated Flash System | |
| Autofocus Sensitivity | |
| Lens Mount | |
| Battery | |
| Interval Recording | |
| Dynamic Range | |
| Audio I/O | |
| Image Sensor | |
| Image Stabilization | |
| Gamma Curve | |
| Fast-/Slow-Motion Support | |
| Gross Weight | |
| IP Streaming | |
| ISO Sensitivity | |
| Image File Format | |
| Image Sizes | |
| Follow Speed | |
| Filter Size | |
| wirless | |
| .Guide number | |
| S1/S2 transmission: | |
| .Operating temperature | |
| Cover angle: cover light of 24mm lens Recycle time | |
| Environmental Protection | |
| Frequency Range | |
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| Lens Format Coverage | |
| Media/Memory Card Slot | |
| Light | |
| Included Transmitters | |
| Inputs | |
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| Maximum Aperture | |
| Maximum Weight Recommendation | |
| Metering Method | |
| Focus Mode | |
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| Internal Filter Holder | |
| Internal Battery Capacity | |
| Gain Range | |
| Frequency Response | |
| Fixed Focus | |
| Focal Length | |
| Item Weight | |
| color | |
| time Video | |
| main material | |
| Model | |
| Model Name | |
| Monitor size | |
| Mounting Options | |
| Network I/O | |
| Slow Motion Mode | |
| Number of Pixels (Effective) | |
| Optical Design | |
| Recharge Time | |
| Other I/O | |
| Outputs | |
| Package Dimensions | |
| Package Weight | |
| Polar Pattern | |
| Power I/O | |
| Creative Effects | |
| Mobile App Compatible | |
| Sound Field | |
| Product Dimensions | |
| Size | |
| Recording Limit | |
| Resolution | |
| Rotation Range | |
| SNR | |
| Sampling Frequency | |
| Screen Size | |
| Recording Format | |
| Designed for | |
| Receiver Type | |
| Sensor Crop Modes | |
| Sensor Resolution | |
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| Shooting Modes | |
| Shutter Speed | |
| Shutter Type | |
| Sensitivity | |
| Self-Timer | |
| Sensor | |
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| Wireless | |
| Viewfinder Type | |
| Wireless Protocol | |
| Volume Weight | |
| weight | |
| White Balance | |
| Tripod Collar | |
| White Balance Modes | |
| Wireless Frequency | |
| Video Format | |
| Minimum Focus Distance | |
| Microphone Type | |
| Advertised Dynamic Range | |
| Type | |
| Number of Axes | |
| Capture Type | |
| Built-In Microphone Type | |
| Video I/O | |
| USB/Lightning Connectivity | |
| material | |
| video quality | |
| max load | |
| maximum working height: | |
| minimum working height | |
| degree | |
| Still Image Support | |
| remote battrey | |
| tripod self-envy: | |
| wight tripod | |
| Tripod Mounting Thread | |
| extended height | |
| Wireless Technology | |
| Still Image Capture Aspect Ratio | |
| Video Output | |
| load | |
| Minimum Aperture | |
| Waterproof | |
| LED light: |
| 5 | 0 | |
| 4 | 0 | |
| 3 | 0 | |
| 2 | 0 | |
| 1 | 0 |
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