Samyang AF 50mm f/1.4 FE II Lens for Sony E
33,750 EGP

- E-Mount Lens/Full-Frame Format
- Customizable Control/Focus Ring
- Autofocus with Manual Override
- 3 HR, 1 ED, 2 ASP Elements
- Linear STM Motor
- UMC, ED, HR Coated
- 9-Blade Diaphragm
- 11 Elements in 8 Groups
متاح للحجز (طلب مسبق)
The Samyang AF 50mm f/1.4 FE II is a fast and compact normal prime lens for Sony E-mount cameras.
It present several features that punch well above its class while still maintaining a small and lightweight profile.
The bright f/1.4 maximum aperture pairs with
a nine-blade diaphragm to benefit selective focus and shallow depth of field imaging with smooth bokeh,
making it an ideal lens for portraiture.
An Ultra Multi Coating has been applied to lens elements to reduce flare and ghosting for higher contrast and color fidelity. The optical design incorporates three High Refractive, one Extra Low Dispersion, and two Aspherical elements.
Samyang AF 50mm f/1.4 FE II Lens for Sony E
The Samyang AF 50mm f/1.4 FE II is a fast, high-performance standard prime lens designed for Sony E-mount full-frame mirrorless cameras. With its wide f/1.4 aperture, advanced autofocus, and superb image clarity, this lens is ideal for portraits, low-light scenes, and everyday photography.
✅ Key Features:
Bright f/1.4 Aperture
Excellent for shooting in low light and achieving beautiful background blur (bokeh).Sharp & Vivid Image Quality
Features advanced optics and coatings to reduce aberrations, flare, and ghosting—resulting in sharp, high-contrast images.Fast, Quiet Autofocus
Equipped with a Linear STM motor for smooth, accurate autofocus—perfect for both photography and video.Compact & Lightweight Design
Despite its fast aperture, the lens remains lightweight and easy to carry, ideal for travel and on-the-go shooting.Weather-Sealed Construction
Built to resist dust, light rain, and harsh environments, offering reliable performance outdoors.
🔍 Specifications:
Focal Length: 50mm
Maximum Aperture: f/1.4
Mount: Sony E (Full Frame)
Minimum Focus Distance: 0.4m
Autofocus: Yes (Linear STM)
Filter Size: 72mm
Weight: Approx. 420g
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Benefits
- Affordable telephoto zoom lens
- USM autofocus motor
- Super Spectra coatings
- Lightweight design
- 58mm filter size
- 1.5m closest focusing distance
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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Part of the L-series range of Canon EF lenses, the 100mm f/2.8 Macro has a magnification ratio of 1:1 and features advanced Image Stabilisation (IS).
Well suited to both stills and cinematography applications, the Canon 100mm macro is a popular choice for close-up and portrait work. We can supply the lens with a range of mount adapters to make is compatible with cameras such as the
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- Brand: Nikkor
- Compatible with: Cameras
- Interchangeable Lense Type: SLR Lenses
- External Product ID: 18208021376
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- EF-S-Mount Lens/APS-C Format
- 38.4mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- One Aspherical Element
- Super Spectra Coating
- STM Stepping AF Motor
- Rounded 7-Blade Diaphragm
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The AF-S NIKKOR 35mm F/1.8G ED integrates the precise AF systems of our D-SLR cameras. The lens has Silent Wave Motor technology that works quickly and quietly; Which makes it ideal for shooting video clips. The manual focus ring allows precise adjustments to be made to provide the right position for your shots.
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Canon EF 24-70mm f/2.8L II USM
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