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Canon RF 100mm f2.8 L MACRO IS USM
- The RF 100mm F2.8L Macro IS USM is a professional macro lens with class-leading 1.4x magnification and a variable Spherical Aberration Control to adjust Bokeh.
Canon RF 100mm f/2.8
- RF-Mount Lens/Full-Frame Format
- 1.4x Magnification with Autofocus
- Aperture Range: f/2.8 to f/32
- Minimum Focusing Distance: 10.2″
- Super Spectra Coating
- Smooth and Quiet Auto Focus
- Optical Image Stabilization; Hybrid IS
- Control Ring for Direct Setting Changes
- 9-Blade Diaphragm
- Weather-Sealed Construction
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Enter the full frame world of EOS R
The EOS RP is an affordable yet advanced camera in Canon’s full frame line-up. Offering next generation full frame optical performance with the potential to explore future RF lenses, such as the RF 24-240mm F4-6.3 IS USM, the EOS RP features the innovative RF Mount with its high-speed 12-pin communication system, short back focus and wide 54-mm mount diameter. Built from the ground up, the RF Mount provides lenses with new levels of optical performance, responsiveness and functionality. Photographers and videographers can also experience the full performance of their existing EF and EF-S lenses thanks to three EF-EOS R adapter options, with additional functionality when using the control ring or drop-in filter adapter.
Supporting creativity with silence, speed and quality
The EOS RP’s 26.2 Megapixel full-frame CMOS sensor, coupled with Canon’s latest DIGIC 8 processor, offers a creative step-up with the optimal balance of detail, control over depth of field and incredible low light shooting performance. Optimised for low light conditions, the ISO 40,000 – expandable up to a range of ISO 102,400 – works alongside the powerful Dual Pixel CMOS AF system to enable photographers to shoot in even the darkest environments with confidence, with a shooting capability down to -5 EVi.
With an emphasis on achieving optimal clarity straight from the camera, DLO (Digital Lens Optimiser) correction is applied in-camera to RF lenses and up to five EF lenses when registered in the camera. For post-editing options, the EOS RP offers the latest generation CR3 14-bit RAW file format, alongside a compact RAW option to save approximately 40 percent on the file size of standard RAW files. This increases the number of images that can be stored on a memory card whilst retaining the flexibility of shooting with RAW. For instant editing, images can be processed in-camera with Creative Assist offering a range of filters, effects and controls that make it simple to obtain the desired result for instant sharing.
Canon has announced the 26mp EOS RP compact mirrorless full-frame camera, designed for advanced amateurs.
Canon say it’s a small, light and practical mirrorless camera which also features the world’s fastest autofocus.
The EOS RP is set to be available from 27 February 2019, at £1399.99 for the body with mount adapter, and £2329.99 with RF 24-105mm lens.
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Canon EF 85mm f/1.8 USM
The EF 85mm f/1.8 USM Lens from Canon is a highly practical medium telephoto prime lens ideal for a range of applications including portraiture. Its fast f/1.8 maximum aperture is effective in low light and ideal for shallow depth of field focus control.
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- Focal Length & Maximum Aperture: 35mm f/1.4
- Subwavelength Coating (SWC) helps significantly reduce lens ghosting and flare.Lens Construction: 14 elements in 11 groups
- Diagonal Angle of View: 63°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 0.92 ft./0.28m. Increased maximum magnification (0.21x) help expand the range of expression, especially when capturing close-up subjects
- Filter Size: 2.8 in./72mm diameter
- Max. Diameter x Length, Weight: 3.2 x 4.2 in., approx. 26.8 oz. / 80.4 x 105.5mm, approx. 760g
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- Brand: Nikkor
- Compatible with: Cameras
- Interchangeable Lense Type: SLR Lenses
- External Product ID: 18208021376
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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The XF 50-140mm F2.8 R LM OIS WR is a versatile telephoto zoom lens designed for FUJIFILM X-mount mirrorless cameras, offering a 76-213mm equivalent focal length range.
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The EF 100mm f/2.8L Macro IS USM Lens from Canon is the L-series version of Canon’s popular 100mm Macro lens. As an L-series lens it offers the utmost in optical construction, including ultra-low dispersion lens elements and moisture and dustproof seal structure on the barrel. Its 100mm focal length is effective for portraiture and other telephoto applications and as a macro lens with 1:1 magnification and a 12″ minimum focus distance, it is ideal for life-size close-up imaging.
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Two Ultra-Low Dispersion Elements
- Air-Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
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- Lightweight, fast, and affordable—the Sony FE 50mm f/1.8 delivers beautiful bokeh and crisp detail for portraits, everyday shots, and low-light moments.
- Capture stunning wide-angle shots with the Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens. Perfect for landscapes, architecture, and interiors, this lightweight lens features Image Stabilization and smooth STM autofocus for sharp, vibrant photos.
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