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Nanlite FS-200 LED Daylight AC Monolight

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  • Color: 5600K, CRI/TLCI: 96/98
  • Dims 0 to 100%, 100 to 240 VAC
  • Firmware Upgrade via USB
  • Bowens Mount Reflector, 11 Special FX
Adopting a popular, easy-to-use form factor, the FS-200 LED Daylight AC Monolight from Nanlite has a daylight color temperature of 5600K with a high CRI/TLCI of 96/98 indicating advanced accuracy in color rendition. The 12 x 9.1 x 4.8″ fixture weighs 5.5 lb making it a welcome addition to your kit, while its 55° reflector allows it to output 29380 lumens. The
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Description

Adopting a popular, easy-to-use form factor, the FS-200 LED Daylight AC Monolight from Nanlite has a daylight color temperature of 5600K with a high CRI/TLCI of 96/98 indicating advanced accuracy in color rendition. The 12 x 9.1 x 4.8″ fixture weighs 5.5 lb making it a welcome addition to your kit, while its 55° reflector allows it to output 29380 lumens. The Bowens-type reflector mount is not only compatibile with Nanlite accessories, but with those of the many manufactures who use this popular mount

A bonus is the FS-200’s 11 special effects including INT Loop, Flash, Pulse, Storm, TV, Paparazzi, Candle/Fire, Bad Bulb, Fireworks, Explosion, and Welding.The FS-200 is cooled by a quiet fan and dimmable from 0 to 100%. The light is ready for worldwide use thanks to its 110 to 240 VAC power supply.

Powerful, Even Light Output

The daylight-balanced FS-200 LED Monolight from Nanlite utilizes a larger LED array than most COB LED monolights to deliver up to 29380 Lux at 3.28′ (with included reflector) as well as a smooth and even light spread, with no hotspots when used in a softbox.

Fully Integrated Monolight with Onboard Cooling

A true monolight, the FS-200 combines the control unit, power adapter, and lamp body into one compact unit. The integrated design makes it more lightweight and enables effective heat dissipation, ensuring the fixture performs at its best for longer.

Bowens-Style Light Modifier Mount

By utilizing the near-universal Bowens-style light modifier mount and incorporating an umbrella holder into the yoke, the FS-200 is compatible with a huge selection of light modifiers, including, but not limited to, Nanlite’s line of Fresnels, softboxes, and umbrellas.

Practical Effects

With customizable pre-programmed special effects in a simple-to-master menu system, the FS- 200 makes it easy to imitate lighting scenarios that can otherwise be tricky to recreate. At the touch of a button, you can simulate 11 different practical lighting effects including INT Loop, Flash, Pulse, Storm, TV, Paparazzi, Candle/Fire, Bad Bulb, Fireworks, Explosion, and Welding.
Additional information
Light
Eye Point
Adjustable Length
Self-Timer
Recording Limit
Resolution
Rotation Range
SNR
Sampling Frequency
Recording Format
Number of Pixels (total)
Recharge Time
Sensor Crop Modes
Sensor Resolution
Sensor type
Shooting Modes
Shutter Speed
Shutter Type
Advertised Dynamic Range
Sensor
Sensitivity
Product Dimensions
Mobile App Compatible
Model
Model Name
Monitor size
Mounting Options
Size
Number of Axes
Power I/O
Number of Pixels (Effective)
Optical Design
Other I/O
Outputs
Package Dimensions
Package Weight
Polar Pattern
Network I/O
Screen Size
Slow Motion Mode
time Video
wight tripod
max load
maximum working height:
minimum working height
Video Output
Sound Field
degree
tripod self-envy:
Tripod Collar
material
extended height
Wireless Technology
Still Image Capture Aspect Ratio
Minimum Aperture
load
remote battrey
weight
video quality
USB/Lightning Connectivity
Wireless
Wireless Frequency
Viewfinder Type
Wireless Protocol
Waterproof
Still Image Support
White Balance
Volume Weight
White Balance Modes
Video Format
Video I/O
Minimum Focus Distance
Microphone Type
Tripod Mounting Thread
Type
Receiver Type
Creative Effects
Autofocus Sensitivity
main material
Clamping
Lens Communication
color
Compatible devices
Continuous Shooting
Crop Factor
Bulb/Time Mode
Capture Type
Designed for
Dimensions
Approx. Battery Life
Bit Rate
Dynamic Range
Exposure Compensation
Capacity
Built-In ND Filter
External Recording Modes
Channels
Angle of View
Display Type
Aspect Ratio
Diversity
Brand
Audio Recording
Autofocus Points
Metering Range
Built-In Microphone Type
Battery
Battery Type
Bit Depth
Colour Map
Audio I/O
Brand Name
Built-In Flash/Light
Exposure Modes
Ball head
Dedicated Flash System
Material of Construction
Internal Recording Modes
Interval Recording
Audio Format
Item Weight
Inputs/Outputs
Included Transmitters
Lens Mount
Inputs
Max Operating Range
Maximum Aperture
Maximum Weight Recommendation
Media/Memory Card Slot
Focus Type
Lens Format Coverage
Internal Battery Capacity
Internal Filter Holder
Load Capacity
Gamma Curve
Frequency Response
Focal Length
Focus Mode
Metering Method
Follow Speed
Image Sizes
Filter Size
Fast-/Slow-Motion Support
Gross Weight
Gain Range
IP Streaming
ISO Sensitivity
Image File Format
Image Sensor
Frequency Range
Image Stabilization
Fixed Focus
wirless
.Guide number
S1/S2 transmission:
.Operating temperature
Cover angle: cover light of 24mm lens Recycle time
Environmental Protection
LED light:
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