Samyang 35-150mm f/2-2.8 AF Lens (Sony E)
70,000 EGP

- Full-Frame | f/2-2.8 to f/16-22
- Versatile All-in-One Zoom
- Three Custom Mode Switches
- Minimum Focusing Distance: 12.1″
- 9-Blade Diaphragm
- 2 ASP, 1 HB, 3 HR, 6 ED Elements
- Weather-Sealed Design
متاح للحجز (طلب مسبق)
Samyang 35-150mm f/2-2.8 AF Lens (Sony E Mount)
Unlock versatility and professional performance with the Samyang 35-150mm f/2-2.8 AF Lens, designed for Sony E-mount full-frame mirrorless cameras. This all-in-one zoom lens offers a fast aperture, smooth autofocus, and a flexible focal range—making it ideal for portraits, events, travel, and video production.
Key Features:
Versatile 35–150mm Zoom Range
Covers everything from wide environmental portraits to close-up telephoto shots, reducing the need to change lenses.Bright f/2–2.8 Aperture
Exceptional low-light performance and beautifully blurred backgrounds with creamy bokeh, even at longer focal lengths.Fast, Quiet Autofocus
Powered by a Linear STM motor for accurate and silent focusing—great for both stills and video.Custom Switch & Focus Hold Button
Programmable functions for personalized control, perfect for professional workflows.Premium Optical Design
Features 21 elements in 18 groups, including aspherical and high-refractive elements, along with Samyang’s Ultra Multi-Coating (UMC) for superb image clarity and reduced flare.Video-Friendly Design
Equipped with a de-clickable aperture ring and minimal focus breathing—ideal for filmmakers and content creators.
Specifications:
Focal Length: 35–150mm
Maximum Aperture: f/2–2.8
Mount: Sony E (Full Frame)
Autofocus: Yes (Linear STM Motor)
Optical Construction: 21 elements in 18 groups
Diaphragm Blades: 9
Minimum Focusing Distance: 0.33m (wide)
Filter Thread: 82mm
Weight: Approx. 1,230g
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منتجات ذات صله
Canon EF 24-70mm f/2.8L II USM
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- The Canon RF 35mm F1.8 IS STM Macro Lens is a versatile prime lens for full-frame mirrorless cameras, offering a natural 35mm perspective, fast F1.8 aperture, Hybrid IS, and 0.5x macro capability. Perfect for portraits, low-light photography, and close-up shots.
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Two Ultra-Low Dispersion Elements
- Air-Sphere and Fluorine Coatings
- Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
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- L-series ultra-wide zoom lens with an impressive 11mm starting focal length
- Focal Length & Maximum Aperture: 11-24mm f/4, Closest Focusing Distance : 11 in. / 0.28m
- New optical design and the use of one Super UD element and one UD lens element
- Subwavelength Coating (SWC) and Air Sphere Coating (ASC), Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms
- Full-time manual focus allows manual focus adjustment while in AF Mode
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The AF-S NIKKOR 35mm F/1.8G ED integrates the precise AF systems of our D-SLR cameras. The lens has Silent Wave Motor technology that works quickly and quietly; Which makes it ideal for shooting video clips. The manual focus ring allows precise adjustments to be made to provide the right position for your shots.
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- Brand: Nikkor
- Compatible with: Cameras
- Interchangeable Lense Type: SLR Lenses
- External Product ID: 18208021376
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- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Fluorite Element & Five UD Elements
- Air Sphere Coating
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Internal Focus, Focus Range Limiter
- Weather-Sealed Design, Fluorine Coating
- Detachable, Rotatable Tripod Collar
- Rounded 8-Blade Diaphragm
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Part of the L-series range of Canon EF lenses, the 100mm f/2.8 Macro has a magnification ratio of 1:1 and features advanced Image Stabilisation (IS).
Well suited to both stills and cinematography applications, the Canon 100mm macro is a popular choice for close-up and portrait work. We can supply the lens with a range of mount adapters to make is compatible with cameras such as the
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- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Four Aspherical Elements
- Air Sphere and Fluorine Coatings
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Weather-Sealed Construction
- Rounded 10-Blade Diaphragm
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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- Focal Length & Maximum Aperture: 35mm f/1.4
- Subwavelength Coating (SWC) helps significantly reduce lens ghosting and flare.Lens Construction: 14 elements in 11 groups
- Diagonal Angle of View: 63°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 0.92 ft./0.28m. Increased maximum magnification (0.21x) help expand the range of expression, especially when capturing close-up subjects
- Filter Size: 2.8 in./72mm diameter
- Max. Diameter x Length, Weight: 3.2 x 4.2 in., approx. 26.8 oz. / 80.4 x 105.5mm, approx. 760g
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