Samyang 24mm f/1.8 AF Compact Lens for Sony E
23,000 EGP

Key features
- E-Mount Lens / Full-Frame Format
- Aperture Range: f/1.8 to f/22
- 2 ASPH, 3 HR Index, and 2 ED Elements
- UMC Ultra Multi-Coating
- Linear STM Autofocus Motor
- Minimum Focus Distance: 7.48″
- Weather-Sealed Construction
- Filter Size: 58mm
- 9-Blade Diaphragm
متاح للحجز (طلب مسبق)
Samyang 24mm f/1.8 AF Compact Lens for Sony E
The Samyang 24mm f/1.8 AF is a lightweight, fast-aperture wide-angle lens designed for Sony E-mount full-frame mirrorless cameras. Ideal for astrophotography, landscapes, and everyday shooting, it offers excellent optical performance in a compact design.
✅ Key Features:
Bright f/1.8 Aperture
Great for low-light photography, night skies, and beautiful background blur.Compact and Lightweight
Weighing only around 230g, this lens is perfect for travel, hiking, and handheld shooting.Custom Astro-Focus Mode
A unique feature for astrophotographers, allowing for quick access to infinity focus with a single button press.Sharp and Clear Image Quality
Advanced optical elements minimize distortion and deliver high contrast and edge-to-edge sharpness.Fast and Quiet Autofocus
The Linear STM motor ensures accurate, silent focusing—ideal for both photo and video use.Weather Sealing
Resistant to dust and light moisture, so you can shoot with confidence in various outdoor conditions.
🔍 Specifications:
Focal Length: 24mm
Maximum Aperture: f/1.8
Mount: Sony E (Full Frame)
Minimum Focus Distance: 0.19m
Filter Size: 58mm
Weight: Approx. 230g
Autofocus: Yes (Linear STM)
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منتجات ذات صله
The XF 50-140mm F2.8 R LM OIS WR is a versatile telephoto zoom lens designed for FUJIFILM X-mount mirrorless cameras, offering a 76-213mm equivalent focal length range.
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For Cropped Sensor Shooters
The Canon 8-15mm fisheye is one of the most exciting lenses to be released in a long time. It has some very cool features for both full-frame and cropped shooters, but there does seem to be some confusion about who this lens is best suited for. At a retail price of $1499, the Canon 8-15 fisheye lens is not going to be for everyone. It is often compared to the Tokina 10-17mm, and on a cropped sensor camera the Tokina is probably the closest thing to it but at less than half the price.
If you are only shooting on a cropped sensor body it is a very tough decision. The Canon is a better built lens. You will get slightly sharper and contrast-y images straight out of the camera and the most noticeable improvement will be less chromatic apparition. This is a big deal for me, but with a little time spent in post-production most users will not see a huge difference, especially if you don’t spend a lot of time viewing your images at 100%.
The useable zoom range on a cropped body is 10-15, so you lose that little bit of extra reach that you would get on the 17mm end of the Tokina. You can of course shoot at 9mm and 8mm but you will start to see the curved corners of the lens. If you want the absolute best image quality then the Canon lens is for you, but if you are a crop only shooter, the Tokina’s versatility, low cost and excellent image quality probably will make it a better overall choice.
Canon 8-15mm fisheye – For Full-Frame Shooters
For those shooting full-frame there is not much to compare the Canon 8-15mm to. Canon did make a 15mm fisheye (it has been recently discontinued), but the 15mm end on the 8-15 is not only sharper, but it also focuses to just millimeters in front of the glass. The older 15mm fisheye required too much working distance for really good close focus wide-angle work. Sigma makes a 15mm fisheye that focuses pretty closely, which I have heard good things about but not personally used.
At the Canon 8mm end of the lens you get a full circular fisheye. I happen to really like the look of circular fisheyes, but not so much that I would have invested in a lens like the Sigma 8mm or to have spent a whole dive committed to that shot. Now I don’t have to worry about that anymore. I have the best 15mm lens on the market, and when I want a special effect full circular shot I just zoom into the 8mm end. Full-frame shooters are not really going to use the zoom range between the 8 or 15 ends. Of course you can shoot at any zoom range but you will get partially round corners that are not very useful.
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- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2 to f/22
- Ultra-Low Dispersion Elements
- Ring-Type Ultrasonic Motor AF System
- Customizable Control Ring
- Rounded 9-Blade Diaphragm
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Benefits
- Affordable telephoto zoom lens
- USM autofocus motor
- Super Spectra coatings
- Lightweight design
- 58mm filter size
- 1.5m closest focusing distance
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Canon EF 24-70mm f/2.8L II USM
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- The Canon RF 35mm F1.8 IS STM Macro Lens is a versatile prime lens for full-frame mirrorless cameras, offering a natural 35mm perspective, fast F1.8 aperture, Hybrid IS, and 0.5x macro capability. Perfect for portraits, low-light photography, and close-up shots.
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The EF 100mm f/2.8L Macro IS USM Lens from Canon is the L-series version of Canon’s popular 100mm Macro lens. As an L-series lens it offers the utmost in optical construction, including ultra-low dispersion lens elements and moisture and dustproof seal structure on the barrel. Its 100mm focal length is effective for portraiture and other telephoto applications and as a macro lens with 1:1 magnification and a 12″ minimum focus distance, it is ideal for life-size close-up imaging.
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The EF 50mm f/1.2L USM Lens from Canon is a fast prime lens featuring a particularly large maximum aperture for effective low-light and shallow depth of field capability. As a standard focal length lens, it is suitable for most any shooting situation and its lens coating and optical construction are optimized to minimize chromatic aberrations, ghosting and flare
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Brand Nikon
Lens Type Standard
Compatible Mountings Nikon FX
Camera Lens Description 50 millimetres
Maximum Focal Length 50 Millimeters
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